Well, at least we can rely on films made by and starring White men to be thrilling, literate, and uplifting.
*sigh* It's not about colour, race baiter, it's the fucking atrocious writing and the douchebags who greenlight the shit.
Here, let me give you an example of how "woke" shit is ruining entertainment. There is a whole new industry that has latched onto the entertainment industry that is sucking the life out of it called "sensitivity readers". These twats call themselves "experts" while never having been an editor or even an author. They're just experts in "feelings". And seriously, they run tis shit like a Mafia protection racket. They take your book or manuscript, make "sensitivity suggestions if not outright rewriting parts of it so you can make the pertinent "corrections". Of course you don't HAVE to follow their "advice" but it sure would be a shame if something happened to you and/or your hard work, like getting canceled.
Christ dude, take a well acclaimed author who's been writing longer than most of these shits have been alive. If they don't take the advice of some 23 yr old narcissist who only brings her "life experience" to the table, all 23 years of it I might add, they can and will be canceled too. This is a fucking industry with real people doing this shit to artists.
"Oh no, that's not narrative-approved art, you must change your view". This is honestly going on. Art is literally being thought policed by people who can and will sink your career if you don't go with their very leftist "corrections. Ever see the South Park Episode where Randy goes to China with all his weed? Remember how Stan had to write something with a Chinese general looking over his shoulder, crossing out words or lines he disapproved of? The absurdity of that, except it's not absurd. The only difference is it isn't a Chinese general making the "necessary political corrections".
In fact it happened to at least one author, I don't know his or her name, to the point of utter absurdity. The main character in his book was in a wheelchair. The book was basically from the perspective of a personal in a wheelchair. However it was scrutinized by a "sensitivity reader" who was uncomfortable with some of his wording, including his description of the main character's condition. Which the author also had. So some self-proclaimed "expert in feelings" was uncomfortable with this person's condition and the words and phrasing he used about it because she had life experience. Not as anyone in a wheelchair though but she is ALT-left so she obviously knew what a person in a wheelchair experiences better than they would because she can't possibly be wrong, she's an expert in feelings.
Writing is art. And if you have people thought policing it before it can be seen, then it's not the writer's vision anymore. And if you're going to tell someone that a book about THEIR life experiences, THEIR reality is wrong, then what makes you any different than the people on the right you like to squwack about. "Oh, I can deny/ignore your life experiences and your reality because I'm an expert in feelings with a whole 23 years of life experience,."
And holy fucking shit, the actors in Hollywood are so "woke" they're deliberately trying to destroy their own jobs. Let's look at the writers. Quite frankly there just isn't enough work for all the fucking writers out there. So, their union has come up with a brilliant idea. Outside of sitcoms, shows are usually written by one or two writers. So one of the demands is every project must have at least 6 writers in the room and 2 of them must be head writers. And considering the absolute shit the writers are puking out, I'm not surprised this strike has lasted this long. Both writers an actors want Hollywood to ban the use of AI because it will take over their jobs. And yet at the same time there's striking nitwits insisting that AI will never replace them because humans blah blah blah. So they want AI banned even though it can never replace them anyway. Meanwhile morons like Bryan Cranston are screaming about solidarity and dignity. Well tell what Bryan, how's about instead of demanding ridiculous amounts of money to appear in shit, you and the rest of the bubble crew all demand a little less so those writers can get paid more. THAT is solidarity, douchebag.
But wait, it gets even better. Viewership is longer used to tabulate the "demand" for a show anymore, because as one writer said, "It's soul-crushing". Well maybe if they weren't writing absolute shit those viewer numbers would be much less soul-crushing. So, to the rescue comes Parrot Analytics. PA uses all sorts of metrics to measure demand in the media from news stories to social media, but NOT actual viewer numbers. At one point, according to PA, 'Velma" had a 127% increase in demand. Well no, it really didn't. The viewer numbers and ratings are brutal. The "demand" was simply people on social media talking about just how fucking awful it was. And that's how "demand" is measured. It doesn't matter if people are burning the show to the ground on-line, people are still talking about it, and talk automatically now equates to "demand". This is NOT one of those cases where even bad publicity is good publicity. This is one of those cases where viewers are telling you your show is an abortion that should have been left in its entirety on the cutting room floor. But Parrot Analytics will find a way to distort the facts to keep you from having hurt feelings. This will also increase residual payments to actors for shows that are complete dumpster fires. And talk about entitlement. One of the actors from the She-Hulk series was whining because her last residual check was for $396 and she thinks she deserves more than that. With the new Parrot Analytics bullshit, she could get that increase, if the show was still on.
This is the world of "woke" delusion these people operate in. Like Rachel Zegler. She was all about representin' in Snow White. Because that's sooo important, Fuck the actual story man, it needs updatin' and representin'. Yet she starred in the movie remake of West Side Story. So how does a girl who is half Polish, half-Colombian and born in the US "represent" the Puerto Rican culture? I guess all Latin Americans are interchangeable? That'd be like me saying I represent the Polish because we're both White, even though I'm not the least bit Polish.
And I really don't know what the fuck Disney is doing. They are shedding profit like a cat sheds fur. They are the embodiment of a snake eating itself. They're cannibalizing their library to turn their classics into empty, lifeless, vapid, inane dreck because they simply MUST be updated for modern audiences all diverse and shit. Funny how when Disney did the live action remake of Mulan there wasn't any diversity in it and nobody pissed their little panties over it.
Star Wars franchise: destroyed by woke and other ALT-left shit. Seriously, what was the purpose of turning Luke Skywalker into a total piece of shit in The Rise of Skywalker?
The MCU: destroyed by woke and other ALT-left shit.
Indiana Jones: Finally finished off by woke and other ALT-left shit.
In a year Disney has lost over 50% of its stock value. There's a reason for that.
Look at all the flopbusters. All because they're injected with woke shit. Did I say injected? I mean practically swimming in it. Nobody wants to pay to get fucking preached at in every goddam movie. And it's always the same message because that's what the industry has become. It's all about "the message for modern audiences". Things like actual story, plot and character arcs just get in the way of that.
If Hollywood et al insist on making movies and shows for niche audiences, well that's all they're going to get. But niche audiences don't keep studios alive.
And finally, just to show how cognitively dissonant the "woke" are, market research within the entertainment industry have stated that older audiences are more discernible in what they watch. So of course the tactic is to market around them, not at them. Now consider we keep hearing that the Western World has more older people than younger people, it's no wonder Hollywood is failing, they're ignoring the majority of the audience out there. When you make a romantic comedy about two gay guys, you can't reasonably expect people who aren't gay to flock to the theatres. To use the the pushers of "diversity" excuse, I simply can't identify with it or the main characters so why would I watch it?
I grew up watching actors like Sidney Poitier and TV shows like Shaft, The Jefferson's, Good Times, Fat Albert, Chico and the Man and What's Happenin'. And even though I couldn't racially identify with any of the main characters or actors, I still enjoyed those shows.
Like I said previously, nobody is breaking any glass ceilings in the acting dept today. It's been done. To death lately.