You go with that, I'll go with this.
"Indian Reservation" ("The Lament Of The Cherokee Reservation Indian") is a song written by John D. Loudermilk. It was first recorded in in 1959 by Marvin Rainwater, and released as "The Pale Faced Indian". Rainwater's MGM-release stayed unnoticed. The first hit version was a cover of 1968 by Don Fardon, a former member of The Sorrows and it went to #20 on the U.S. Billboard Hot 100 chart and #3 on the UK Singles Chart [1].
In 1971 Paul Revere & the Raiders released it on the Columbia Records label and it became #1 on the U.S. chart [2]. The RIAA gold certification followed on 30 June 1971, for selling over a million copies.
The song was later further covered by the Orlando Riva Sound.
A 1994 Country / Western song by Tim McGraw, Indian Outlaw, opens with part of the main "Cherokee People" chorus from Indian Reservation. The live version also uses the full chorus near the end of the song.
Contents
[show]
* 1 Historical context
* 2 Music and lyric form
* 3 Notes
* 4 External links
[edit] Historical context
The song refers to the forcible removal and relocation of Cherokee people from southeastern states of the United States to territories west of the Mississippi River. This removal in the 1830s has been popularly referred to as the "Trail of Tears." It followed the Indian Removal Act of 1830. This action was part of a larger United States policy of Indian removal.
[edit] Music and lyric form
The song lyrics are under copyright from 1971; however, some excerpts can be explained in technical analysis, under the 1961 fair-use citation of the US Copyright Act (title 17, U. S. Code). [1]
The music is in a minor key, with sustained minor chords ending each phrase in the primary melody, while the electronic organ holds the melody line through a slow musical turn (turning of related notes) which ends each phrase, and emphasizes the ominous minor chords. Underneath the slow, paced melody, is a rhythmic, low "drum beat" in double-time, constantly, relentlessly pushing to follow along, but the melody continues its slow, deliberate pace above the drum beat.
https://answers.yahoo.com/question/index?qid=20080207191511AAympGq
http://en.wikipedia.org/wiki/John_D._Loudermilk
If you are 'hinting' that the 'Brits' have issues with opium and heroin then I would agree that is the reason the song was such a hit over there
Peyoye and such are not addictive, you take then until the visions are done.
"Indian Reservation" ("The Lament Of The Cherokee Reservation Indian") is a song written by John D. Loudermilk. It was first recorded in in 1959 by Marvin Rainwater, and released as "The Pale Faced Indian". Rainwater's MGM-release stayed unnoticed. The first hit version was a cover of 1968 by Don Fardon, a former member of The Sorrows and it went to #20 on the U.S. Billboard Hot 100 chart and #3 on the UK Singles Chart [1].
In 1971 Paul Revere & the Raiders released it on the Columbia Records label and it became #1 on the U.S. chart [2]. The RIAA gold certification followed on 30 June 1971, for selling over a million copies.
The song was later further covered by the Orlando Riva Sound.
A 1994 Country / Western song by Tim McGraw, Indian Outlaw, opens with part of the main "Cherokee People" chorus from Indian Reservation. The live version also uses the full chorus near the end of the song.
Contents
[show]
* 1 Historical context
* 2 Music and lyric form
* 3 Notes
* 4 External links
[edit] Historical context
The song refers to the forcible removal and relocation of Cherokee people from southeastern states of the United States to territories west of the Mississippi River. This removal in the 1830s has been popularly referred to as the "Trail of Tears." It followed the Indian Removal Act of 1830. This action was part of a larger United States policy of Indian removal.
[edit] Music and lyric form
The song lyrics are under copyright from 1971; however, some excerpts can be explained in technical analysis, under the 1961 fair-use citation of the US Copyright Act (title 17, U. S. Code). [1]
The music is in a minor key, with sustained minor chords ending each phrase in the primary melody, while the electronic organ holds the melody line through a slow musical turn (turning of related notes) which ends each phrase, and emphasizes the ominous minor chords. Underneath the slow, paced melody, is a rhythmic, low "drum beat" in double-time, constantly, relentlessly pushing to follow along, but the melody continues its slow, deliberate pace above the drum beat.
https://answers.yahoo.com/question/index?qid=20080207191511AAympGq
http://en.wikipedia.org/wiki/John_D._Loudermilk
I wonder how many Indians doing those late night attacks spke the same lingo and accent as Jihadi john?The took away our way of life...
...the tomahawk the bow and knife.
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If you are 'hinting' that the 'Brits' have issues with opium and heroin then I would agree that is the reason the song was such a hit over there
Peyoye and such are not addictive, you take then until the visions are done.