Perfect example of someone who doesn't get the issues.
Great job, Jinny! Keep up the good work!
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LOL. That's exactly the issue. Whiny, talentless fucks blaming "racism" and "sexism" for their talentless hackery. Just because you can check off some diversity boxes or regurgitate "woke" dogma by rote doesn't automatically impart the talent upon you to make a big budget movie/streaming show.
Well, the other issue is most big budget movies/streaming shows lately have no real story or character arcs. Just a bunch of whizz-bang CGI and green-screen acting with poorly written characters that are just planks of wood who could be played by literally anyone.
If you really wanna see what the issues are, watch Godzilla Minus One. What TOHO made for $15 million completely outclasses 90% of the Hollyweird crap over the last 6 years or so now. It's not even really a Godzilla movie so much as an action/drama set in post-war Japan and Godzilla makes a few guest appearances. I love a good (bad) Kaiju movie because they're usually just big, dumb fun. But this is the first movie since the original Gojira where I was rooting for the human characters because they felt authentic and weren't just there for expositional dialogue and moving the plot along. It's a story of personal shame and dishonour followed by redemption. A well written, well directed and well-acted story.
But then Japan doesn't have a bunch of "woke" leeches like we do who simply want to re-write/re-create anything in Western culture that was even remotely popular that they consider to be "problematic", whatever the fuck they mean by that. And yeah, we BOTH know what they mean by that, don't we. Either that or they really are whiny, talentless fucks desperate to attach their names to someone else's popular creation.
Disney has got to be one of the worst though. They used to be creators. Now they're acquirers of other people's IPs which they proceed to flog the shit out of with steaming turd after steaming turd as they desperately try to squeeze every last dollar out of them they can. All while putting people in charge of projects who have no business running a $200+ million production.