ahh...good idea lets get bouncy....I am putting the creedence clearwater on....cotton fields..oh ya...when I was a itty bitty baby, my mama would rock me in my cradle...sorry I got carried away there 
What are you listening to right now?
- Thread starter Andem
- Start date
Lucille Starr-The French Song (Quand Le Soleil Dit Bonjour Aux Mantagnes)
Bio
Active Decades: '60s and '70s
Born: in St. Boniface, Canada
Genre: Country
Styles: Traditional Country, Country-Pop
Canadian singer/songwriter and yodeler Lucille Starr (born Lucille Marie Raymonde Savoie) was one of Canada's most popular country performers. She started her career singing with a British Columbia choir, Les Hirondelles, and then became the female lead with the Keray Regan Band. Eventually she and band member Bob Regan left to tour the country as Lucille and Bob. The duo had several successful singles in both the U.S. and Canada, including "No Help Wanted." With her powerful voice and vibrant performances, Starr soon attracted notice from several label executives, one of whom dubbed the act the Canadian Sweethearts. While in California, the two frequently appeared on local country music shows and on ABC's Country America show, where they appeared regularly for two years. They also appeared on the Grand Ole Opry, and toured North America with Hank Snow, Wilf Carter and Little Jimmy Dickens. Both Starr and the Canadian Sweethearts signed to A&M Records in 1963, the latter reaching the Top 50 with "Hootenanny Express." They also had two top-rated hits in Canada, including "Looking Back to See." Starr went solo with The French Cut, which was produced by Herb Alpert and featured his Tijuana Brass. The title cut became a chart-topper, and the album produced five more hits. In 1967, the Canadian Sweethearts recorded in Nashville with producer Billy Sherrill. She appeared regularly on the charts through the mid-'70s. In 1977, she put an end to the Sweethearts partnership and cut another solo album, The Sun Shines Again, and it did quite well. Her subsequent album, Back to You, did very well in Canada and produced three hits, including a number one.
Bio
Active Decades: '60s and '70s
Born: in St. Boniface, Canada
Genre: Country
Styles: Traditional Country, Country-Pop
Canadian singer/songwriter and yodeler Lucille Starr (born Lucille Marie Raymonde Savoie) was one of Canada's most popular country performers. She started her career singing with a British Columbia choir, Les Hirondelles, and then became the female lead with the Keray Regan Band. Eventually she and band member Bob Regan left to tour the country as Lucille and Bob. The duo had several successful singles in both the U.S. and Canada, including "No Help Wanted." With her powerful voice and vibrant performances, Starr soon attracted notice from several label executives, one of whom dubbed the act the Canadian Sweethearts. While in California, the two frequently appeared on local country music shows and on ABC's Country America show, where they appeared regularly for two years. They also appeared on the Grand Ole Opry, and toured North America with Hank Snow, Wilf Carter and Little Jimmy Dickens. Both Starr and the Canadian Sweethearts signed to A&M Records in 1963, the latter reaching the Top 50 with "Hootenanny Express." They also had two top-rated hits in Canada, including "Looking Back to See." Starr went solo with The French Cut, which was produced by Herb Alpert and featured his Tijuana Brass. The title cut became a chart-topper, and the album produced five more hits. In 1967, the Canadian Sweethearts recorded in Nashville with producer Billy Sherrill. She appeared regularly on the charts through the mid-'70s. In 1977, she put an end to the Sweethearts partnership and cut another solo album, The Sun Shines Again, and it did quite well. Her subsequent album, Back to You, did very well in Canada and produced three hits, including a number one.
Mariah Carey - O Holy Night
Bio
Active Decades: '90s and '00s
Born: 3/27/1970 in New York, NY
Genre: Rock
Styles: Dance-Pop, Urban, Adult Contemporary, Club/Dance
The best-selling female performer of the 1990s, Mariah Carey rose to superstardom on the strength of her stunning five-octave voice; an elastic talent who moved easily from glossy ballads to hip-hop-inspired dance-pop, she earned frequent comparison to rivals Whitney Houston and Celine Dion, but did them both one better by composing all of her own material. Born in Long Island, New York on March 27, 1970, Carey moved to New York City at the age of 17 -- just one day after graduating high school -- to pursue a music career; there she befriended keyboardist Ben Margulies, with whom she began writing songs. Her big break came as a backing vocalist on a studio session with dance-pop singer Brenda K. Starr, who handed Carey's demo tape to Columbia Records head Tommy Mottola at a party. According to legend, Mottola listened to the tape in his limo while driving home that same evening, and was so immediately struck by Carey's talent that he doubled back to the party to track her down.
After signing to Columbia, Carey entered the studio to begin work on her 1990 self-titled debut LP; the heavily promoted album was a chart-topping smash, launching no less than four number one singles -- "Vision of Love," "Love Takes Time," "Someday" and "I Don't Wanna Cry." Her overnight success earned Grammy awards as Best New Artist and Best Female Vocalist, and expectations were high for Carey's follow-up, 1991's Emotions. The album did not disappoint, as the title track reached number one -- a record fifth consecutive chart-topper -- while both "Can't Let Go" and "Make It Happen" landed in the Top Five. Carey's next release was 1992's MTV Unplugged EP, which generated a number one cover of the Jackson 5's "I'll Be There"; featured on the track was backup singer Trey Lorenz, whose appearance immediately helped him land a recording contract of his own.
In June, 1993, Carey wed Mottola -- some two decades her senior -- in a headline-grabbing ceremony; months later she released her third full-length effort, Music Box, her best selling record to date. Two more singles, "Dreamlover" and "Hero," reached the top spot on the charts. Carey's first tour followed and was widely panned by critics; undaunted, she resurfaced in 1994 with a holiday release titled Merry Christmas, scoring a seasonal smash with "All I Want for Christmas Is You." 1995's Daydream reflected a new artistic maturity; the first single, "Fantasy," debuted at number one, making Carey the first female artist and just the second performer ever to accomplish the feat. The follow-up, "One Sweet Day" -- a collaboration with Boyz II Men -- repeated the trick, and remained lodged at the top of the charts for a record 16 weeks.
After separating from Mottola, Carey returned in 1997 with Butterfly, another staggering success and her most hip-hop-flavored recording to date. #1's -- a collection featuring her 13 previous chart-topping singles as well as "The Prince of Egypt (When You Believe)," a duet with Whitney Houston effectively pairing the two most successful female recording artists in pop history -- followed late the next year. With "Heartbreaker," the first single from her 1999 album Rainbow, Carey became the first artist to top the charts in each year of the 1990s; the record also pushed her ahead of the Beatles as the artist with the most cumulative weeks spent atop the Hot 100 singles chart.
Bio
Active Decades: '90s and '00s
Born: 3/27/1970 in New York, NY
Genre: Rock
Styles: Dance-Pop, Urban, Adult Contemporary, Club/Dance
The best-selling female performer of the 1990s, Mariah Carey rose to superstardom on the strength of her stunning five-octave voice; an elastic talent who moved easily from glossy ballads to hip-hop-inspired dance-pop, she earned frequent comparison to rivals Whitney Houston and Celine Dion, but did them both one better by composing all of her own material. Born in Long Island, New York on March 27, 1970, Carey moved to New York City at the age of 17 -- just one day after graduating high school -- to pursue a music career; there she befriended keyboardist Ben Margulies, with whom she began writing songs. Her big break came as a backing vocalist on a studio session with dance-pop singer Brenda K. Starr, who handed Carey's demo tape to Columbia Records head Tommy Mottola at a party. According to legend, Mottola listened to the tape in his limo while driving home that same evening, and was so immediately struck by Carey's talent that he doubled back to the party to track her down.
After signing to Columbia, Carey entered the studio to begin work on her 1990 self-titled debut LP; the heavily promoted album was a chart-topping smash, launching no less than four number one singles -- "Vision of Love," "Love Takes Time," "Someday" and "I Don't Wanna Cry." Her overnight success earned Grammy awards as Best New Artist and Best Female Vocalist, and expectations were high for Carey's follow-up, 1991's Emotions. The album did not disappoint, as the title track reached number one -- a record fifth consecutive chart-topper -- while both "Can't Let Go" and "Make It Happen" landed in the Top Five. Carey's next release was 1992's MTV Unplugged EP, which generated a number one cover of the Jackson 5's "I'll Be There"; featured on the track was backup singer Trey Lorenz, whose appearance immediately helped him land a recording contract of his own.
In June, 1993, Carey wed Mottola -- some two decades her senior -- in a headline-grabbing ceremony; months later she released her third full-length effort, Music Box, her best selling record to date. Two more singles, "Dreamlover" and "Hero," reached the top spot on the charts. Carey's first tour followed and was widely panned by critics; undaunted, she resurfaced in 1994 with a holiday release titled Merry Christmas, scoring a seasonal smash with "All I Want for Christmas Is You." 1995's Daydream reflected a new artistic maturity; the first single, "Fantasy," debuted at number one, making Carey the first female artist and just the second performer ever to accomplish the feat. The follow-up, "One Sweet Day" -- a collaboration with Boyz II Men -- repeated the trick, and remained lodged at the top of the charts for a record 16 weeks.
After separating from Mottola, Carey returned in 1997 with Butterfly, another staggering success and her most hip-hop-flavored recording to date. #1's -- a collection featuring her 13 previous chart-topping singles as well as "The Prince of Egypt (When You Believe)," a duet with Whitney Houston effectively pairing the two most successful female recording artists in pop history -- followed late the next year. With "Heartbreaker," the first single from her 1999 album Rainbow, Carey became the first artist to top the charts in each year of the 1990s; the record also pushed her ahead of the Beatles as the artist with the most cumulative weeks spent atop the Hot 100 singles chart.
Bon Jovi - Blue Christmas
Bio
Active Decades: '80s, '90s and '00s
Formed: 1983 in Sayreville, NJ
Genre: Rock
Styles: Hard Rock, Pop/Rock, Heavy Metal, Hair Metal, Arena Rock, Album Rock, Pop-Metal
Few bands embodied the era of pop-metal like Bon Jovi. By merging Def Leppard's loud but tuneful metal with Bruce Springsteen's working-class sensibilities, the New Jersey-based quintet developed an ingratiatingly melodic and professional variation of hard-rock -- one that appealed as much to teenagers as to housewives. Bon Jovi skillfully employed professional songwriters to give their songs, especially their power ballads, an appropriately commercial sheen, inaugurating a trend that dominated mainstream hard rock and metal for the next decade. They also made simple performance videos that emphasized lead singer Jon Bon Jovi's photogenic good looks, and these clips helped propel 1986's Slippery When Wet and 1988's New Jersey into multi-platinum status around the world. Both records were criticized for being more pop than metal, as well as being targeted toward teenyboppers, yet the group managed to subtly change their image in the early '90s, moving away from metal and concentrating on straightforward arena-rock and big ballads. The shift in style worked, and Bon Jovi were the only American pop-metal band of the '80s to retain a sizable audience in the '90s.
Jon Bongiovi spent most of his adolescence ditching school to play rock & roll, usually in local bands with his friend David Rashbaum. Bongiovi's cousin Tony owned the famous New York recording studio the Power Station, which was where Jon hung out. He was hired as a janitor, and soon, he was recording demos at the Power Station with several famous musicians, including members of the E Street Band and Aldo Nova. One of these demos, "Runaway," became a hit on local New Jersey radio, and Bongiovi formed Bon Jovi to support the song, recruiting not only Rashbaum, but also guitarist Dave Sabo, bassist Alec John Such and drummer Tico Torres. Soon, Bon Jovi was the subject of a major-label bidding war, and the group -- or, according to some reports, just Bongiovi -- signed to Polygram/Mercury in 1983. Upon signing, Jon changed his last name to Bon Jovi in order to de-emphasize his ethnic background, and Rashbaum adopted his middle name Bryan as his last name. Before the group entered the studio, Bon Jovi replaced Sabo with Richie Sambora.
Bon Jovi's eponymous debut album was released in 1984, and "Runaway" became a Top 40 hit. Following its success, Tony Bongiovi sued the band, claiming he developed their successful sound; the group settled out of court. The following year, 7800 Fahrenheit was released and went gold. Despite the band's respectable success, Bon Jovi weren't becoming the superstars they had hoped, and they changed their approach for their next album, Slippery When Wet. Hiring professional songwriter Desmond Child as a collaborator, the group wrote 30 songs and auditioned them for local New Jersey and New York teenagers, basing the album's running order on their opinions. After ditching the original cover of a busty woman in a wet T-shirt for the title traced in water on a garbage bag, Slippery When Wet was released in 1986. Supported by several appealing, straightforward videos that showcased the photogenic Jon, the album eventually sold nine million copies in the U.S. alone, helping usher in the era of pop-metal. Two songs, "You Give Love a Bad Name" and "Livin' on a Prayer," reached number one, while "Wanted Dead or Alive" reached the Top Ten, and Bon Jovi were established as superstars.
Bon Jovi replicated the Slippery When Wet formula for 1988's New Jersey, which shot to number one upon its release. New Jersey was only slightly less successful than its predecessor, selling five million copies and generating two number one singles, "Bad Medicine" and "I'll Be There for You," as well as the Top Ten hits "Born to Be My Baby," "Lay Your Hands on Me" and "Living In Sin." In 1989, the band supported Cher, who was then dating Sambora, on her Heart of Stone album, which was recorded while the group was in the midst of an eighteen-month international tour. Following the completion of the tour, the band went on hiatus. During their time off, Jon Bon Jovi wrote the soundtrack for Young Guns II, which was released in 1990 as the Blaze of Glory album. The record produced two hit singles in the number one title track and the number 12 "Miracle," as well as earning Grammy and Oscar nominations. The following year, Bon Jovi reunited to record fifth album, Keeping the Faith, which was released in the fall of 1992. While the album didn't match the blockbuster status of its predecessors, largely because musical tastes had shifted in the four years between New Jersey and Keep the Faith, it was nevertheless a big hit, and its more straightforward, anthemic sound produced the hit single "Bed of Roses." A hits collection, Cross Road, followed in 1994, and in the fall of 1995, they released These Days, which proved to be a bigger success in Europe than America. After appearing in the 1996 film Moonlight and Valentino, Jon Bon Jovi released his first official solo album in the summer of 1997. Three years later, Bon Jovi regrouped and released Crush. "It's My Life" and "Thank You For Loving Me" were a chart hits and Bon Jovi's star power soared beyond their wildest dreams. Crush eventually went double-platinum in the U.S. and sold eight million copies worldwide, but Bon Jovi stayed focus. Within a year they returned with an eighth studio effort. Bounce appeared in fall 2002. Tours across the globe as well as New Year dates with the Goo Goo Dolls fared well.
Bio
Active Decades: '80s, '90s and '00s
Formed: 1983 in Sayreville, NJ
Genre: Rock
Styles: Hard Rock, Pop/Rock, Heavy Metal, Hair Metal, Arena Rock, Album Rock, Pop-Metal
Few bands embodied the era of pop-metal like Bon Jovi. By merging Def Leppard's loud but tuneful metal with Bruce Springsteen's working-class sensibilities, the New Jersey-based quintet developed an ingratiatingly melodic and professional variation of hard-rock -- one that appealed as much to teenagers as to housewives. Bon Jovi skillfully employed professional songwriters to give their songs, especially their power ballads, an appropriately commercial sheen, inaugurating a trend that dominated mainstream hard rock and metal for the next decade. They also made simple performance videos that emphasized lead singer Jon Bon Jovi's photogenic good looks, and these clips helped propel 1986's Slippery When Wet and 1988's New Jersey into multi-platinum status around the world. Both records were criticized for being more pop than metal, as well as being targeted toward teenyboppers, yet the group managed to subtly change their image in the early '90s, moving away from metal and concentrating on straightforward arena-rock and big ballads. The shift in style worked, and Bon Jovi were the only American pop-metal band of the '80s to retain a sizable audience in the '90s.
Jon Bongiovi spent most of his adolescence ditching school to play rock & roll, usually in local bands with his friend David Rashbaum. Bongiovi's cousin Tony owned the famous New York recording studio the Power Station, which was where Jon hung out. He was hired as a janitor, and soon, he was recording demos at the Power Station with several famous musicians, including members of the E Street Band and Aldo Nova. One of these demos, "Runaway," became a hit on local New Jersey radio, and Bongiovi formed Bon Jovi to support the song, recruiting not only Rashbaum, but also guitarist Dave Sabo, bassist Alec John Such and drummer Tico Torres. Soon, Bon Jovi was the subject of a major-label bidding war, and the group -- or, according to some reports, just Bongiovi -- signed to Polygram/Mercury in 1983. Upon signing, Jon changed his last name to Bon Jovi in order to de-emphasize his ethnic background, and Rashbaum adopted his middle name Bryan as his last name. Before the group entered the studio, Bon Jovi replaced Sabo with Richie Sambora.
Bon Jovi's eponymous debut album was released in 1984, and "Runaway" became a Top 40 hit. Following its success, Tony Bongiovi sued the band, claiming he developed their successful sound; the group settled out of court. The following year, 7800 Fahrenheit was released and went gold. Despite the band's respectable success, Bon Jovi weren't becoming the superstars they had hoped, and they changed their approach for their next album, Slippery When Wet. Hiring professional songwriter Desmond Child as a collaborator, the group wrote 30 songs and auditioned them for local New Jersey and New York teenagers, basing the album's running order on their opinions. After ditching the original cover of a busty woman in a wet T-shirt for the title traced in water on a garbage bag, Slippery When Wet was released in 1986. Supported by several appealing, straightforward videos that showcased the photogenic Jon, the album eventually sold nine million copies in the U.S. alone, helping usher in the era of pop-metal. Two songs, "You Give Love a Bad Name" and "Livin' on a Prayer," reached number one, while "Wanted Dead or Alive" reached the Top Ten, and Bon Jovi were established as superstars.
Bon Jovi replicated the Slippery When Wet formula for 1988's New Jersey, which shot to number one upon its release. New Jersey was only slightly less successful than its predecessor, selling five million copies and generating two number one singles, "Bad Medicine" and "I'll Be There for You," as well as the Top Ten hits "Born to Be My Baby," "Lay Your Hands on Me" and "Living In Sin." In 1989, the band supported Cher, who was then dating Sambora, on her Heart of Stone album, which was recorded while the group was in the midst of an eighteen-month international tour. Following the completion of the tour, the band went on hiatus. During their time off, Jon Bon Jovi wrote the soundtrack for Young Guns II, which was released in 1990 as the Blaze of Glory album. The record produced two hit singles in the number one title track and the number 12 "Miracle," as well as earning Grammy and Oscar nominations. The following year, Bon Jovi reunited to record fifth album, Keeping the Faith, which was released in the fall of 1992. While the album didn't match the blockbuster status of its predecessors, largely because musical tastes had shifted in the four years between New Jersey and Keep the Faith, it was nevertheless a big hit, and its more straightforward, anthemic sound produced the hit single "Bed of Roses." A hits collection, Cross Road, followed in 1994, and in the fall of 1995, they released These Days, which proved to be a bigger success in Europe than America. After appearing in the 1996 film Moonlight and Valentino, Jon Bon Jovi released his first official solo album in the summer of 1997. Three years later, Bon Jovi regrouped and released Crush. "It's My Life" and "Thank You For Loving Me" were a chart hits and Bon Jovi's star power soared beyond their wildest dreams. Crush eventually went double-platinum in the U.S. and sold eight million copies worldwide, but Bon Jovi stayed focus. Within a year they returned with an eighth studio effort. Bounce appeared in fall 2002. Tours across the globe as well as New Year dates with the Goo Goo Dolls fared well.
Boney M - Mary's Boy Child
Bio
Active Decades: '70s, '80s, '90s and '00s
Formed: 1976 in Germany
Genre: Rock
Styles: Disco, Euro-Dance
Although they never had much success in America, the Euro-disco group Boney M. was a European phenomenon during the '70s. After German record producer Frank Farian (born in 1942) recorded the single "Baby Do You Wanna Bump?" (which was successful in Holland and Belgium), he created Boney M to support the song, bringing in four West Indian vocalists who had been working as session singers in Germany -- Marcia Barrett (born on October 14, 1948, St. Catherines, Jamaica), Liz Mitchell (born on July 12, 1952, Clarendon, Jamaica), Maizie Williams (born on March 25, 1951, Monserrat, West Indies), and Bobby Farrell (born on October 6, 1949, Aruba, West Indies). "Daddy Cool" reached the U.K. Top Ten in February 1977, followed in April by a remake of Bobby Hebb's "Sunny." In July, "Ma Baker" just missed the U.K. number one spot, and "Belfast" hit the Top Ten in December. In 1978, Boney M. was at the height of their popularity with "Rivers of Babylon""Brown Girl in the Ring," which became the second-biggest selling single in U.K. chart history. "Rivers of Babylon" also was Boney M.'s only U.S. Top 40 hit. Boney M's album, Nightflight to Venus, also topped the U.K. charts. In October 1978, "Rasputin" became another U.K. Top Ten hit, followed by the seasonal chart-topper "Mary's Boy Child""Oh My Lord," which became the fifth-biggest selling single in U.K. history. In March 1979, "Painter Man" hit the U.K. Top Ten, followed in May by "Hooray! Hooray! It's a Holi-Holiday." In September, the album Oceans of Fantasy hit number one. Their music continues to sell well in Europe, with a compilation hitting the U.K. Top Ten in 1994. Farian went on to create the late-'80s dance sensation Milli Vanilli.
Bio
Active Decades: '70s, '80s, '90s and '00s
Formed: 1976 in Germany
Genre: Rock
Styles: Disco, Euro-Dance
Although they never had much success in America, the Euro-disco group Boney M. was a European phenomenon during the '70s. After German record producer Frank Farian (born in 1942) recorded the single "Baby Do You Wanna Bump?" (which was successful in Holland and Belgium), he created Boney M to support the song, bringing in four West Indian vocalists who had been working as session singers in Germany -- Marcia Barrett (born on October 14, 1948, St. Catherines, Jamaica), Liz Mitchell (born on July 12, 1952, Clarendon, Jamaica), Maizie Williams (born on March 25, 1951, Monserrat, West Indies), and Bobby Farrell (born on October 6, 1949, Aruba, West Indies). "Daddy Cool" reached the U.K. Top Ten in February 1977, followed in April by a remake of Bobby Hebb's "Sunny." In July, "Ma Baker" just missed the U.K. number one spot, and "Belfast" hit the Top Ten in December. In 1978, Boney M. was at the height of their popularity with "Rivers of Babylon""Brown Girl in the Ring," which became the second-biggest selling single in U.K. chart history. "Rivers of Babylon" also was Boney M.'s only U.S. Top 40 hit. Boney M's album, Nightflight to Venus, also topped the U.K. charts. In October 1978, "Rasputin" became another U.K. Top Ten hit, followed by the seasonal chart-topper "Mary's Boy Child""Oh My Lord," which became the fifth-biggest selling single in U.K. history. In March 1979, "Painter Man" hit the U.K. Top Ten, followed in May by "Hooray! Hooray! It's a Holi-Holiday." In September, the album Oceans of Fantasy hit number one. Their music continues to sell well in Europe, with a compilation hitting the U.K. Top Ten in 1994. Farian went on to create the late-'80s dance sensation Milli Vanilli.
David Bowie (& Bing Crosby) - Little Drummer Boy
Richard Clayderman - White Christmas
The Uniques - Please Come Home For Christmas
Richard Clayderman - White Christmas
The Uniques - Please Come Home For Christmas
Simon & Garfunkel - 7 O'Clock News/Silent Night
Bio:
Active Decades: '60s, '70s and '80s
Formed: 1964 in New York, NY
Disbanded: 1970
Genre: Rock
Styles: Pop, Folk-Rock
The most successful folk-rock duo of the 1960s, Paul Simon and Art Garfunkel crafted a series of memorable hit albums and singles featuring their choirboy harmonies, ringing acoustic, and electric guitars; and Simon's acute, finely wrought songwriting. The pair always inhabited the more polished end of the folk-rock spectrum, and were sometimes criticized for a certain collegiate sterility. Many also feel that Simon, as both a singer and songwriter, didn't truly blossom until he began his own hugely successful solo career in the 1970s. But the best of S&G's work can stand among Simon's best material, and the duo did progress musically over the course of their five albums, moving from basic folk-rock productions into Latin rhythms and gospel-influenced arrangements that foreshadowed Simon's eclecticism on his solo albums.
Simon & Garfunkel's recording history actually predated their first mid-'60s hit by almost a decade. Childhood friends while growing up together in Forest Hills, NY, they began making records in 1957, performing (and often writing their own material) in something of a juvenile Everly Brothers style. Calling themselves Tom & Jerry, their first single, "Hey Schoolgirl," actually made the Top 50, but a series of follow-ups went nowhere. The duo split up, and Simon continued to struggle to make it in the music business as a songwriter and occasional performer, sometimes using the names of Jerry Landis or Tico & the Triumphs.
By the early '60s, both Simon and Garfunkel were coming under the influence of folk music. When they reteamed, it was as a folk duo, though Simon's pop roots would serve the act well in their material's synthesis of folk and pop influences. Signing to Columbia, they recorded an initially unsuccessful acoustic debut (as Simon & Garfunkel, not Tom & Jerry) in 1964, Wednesday Morning, 3 A.M. They again went their separate ways, Simon moving to England, where he played the folk circuit and recorded an obscure solo album.
The Simon & Garfunkel story might have ended there, except for a brainstorm of their producer, Tom Wilson (who also produced several of Bob Dylan's early albums). Folk-rock was taking off in 1965, and Wilson, who had helped Dylan electrify his sound, took the strongest track from S&G's debut, "Sounds of Silence," and embellished it with electric guitars, bass, and drums. It got to number one in early 1966, giving the duo the impetus to reunite and make a serious go at a recording career, Simon returning from the U.K. to the U.S. In 1966 and 1967, they were regular visitors to the pop charts with some of the best folk-rock of the era, including "Homeward Bound," "I Am a Rock," and "A Hazy Shade of Winter."
Simon & Garfunkel's early albums were erratic, but they steadily improved as Simon sharpened his songwriting, and as the duo became more comfortable and adventurous in the studio. Their execution was so clean and tasteful that it cost them some hipness points during the psychedelic era, which was a bit silly. They were far from the raunchiest thing going, but managed to pull off the nifty feat of appealing to varying segments of the pop and rock audience -- and various age groups, not just limited to adolescents -- without compromising their music. Parsley, Sage, Rosemary and Thyme (late 1966) was their first really consistent album; Bookends (1968), which actually blended previously released singles with some new material, reflected their growing maturity. One of its songs, "Mrs. Robinson," became one of the biggest singles of the late '60s after it was prominently featured in one of the best films of the period, The Graduate (which also had other Simon & Garfunkel songs on the soundtrack).
It was unsurprising, in retrospect, that the duo's partnership began to weaken in the late '60s. They had known each other most of their lives, and been performing together for over a decade. Simon began to feel constrained by the limits of working with the same collaborator; Garfunkel, who wrote virtually none of the material, felt overshadowed by the songwriting talents of Simon, though Garfunkel's high tenor was crucial to their appeal. They started to record some of their contributions separately in the studio, and barely played live at all in 1969, as Garfunkel began to pursue an acting career.
Their final studio album, Bridge Over Troubled Waters, was an enormous hit, topping the charts for ten weeks, and containing four hit singles (the title track, "The Boxer," "Cecilia," and "El Condor Pasa"). It was certainly their most musically ambitious, with "Bridge Over Troubled Waters" and "The Boxer" employing thundering drums and tasteful orchestration, and "Cecilia" marking one of Simon's first forays into South American rhythms. It also caught the confused, reflective tenor of the times better than almost any other popular release of 1970.
That would be their last album of new material. Although they didn't necessarily intend to break up at the time, the break from recording eventually became permanent; as Simon began a solo career that brought him as much success as the S&G outings, and Garfunkel pursued simultaneous acting and recording careers. They did reunite in 1975 for a Top Ten single, "My Little Town," and periodically performed together since without ever coming close to generating albums of new material. A 1981 concert in New York's Central Park attracted half a million fans, and was commemorated with a live album; they also toured in the early '80s, but a planned studio album was canceled due to artistic differences.
Bio:
Active Decades: '60s, '70s and '80s
Formed: 1964 in New York, NY
Disbanded: 1970
Genre: Rock
Styles: Pop, Folk-Rock
The most successful folk-rock duo of the 1960s, Paul Simon and Art Garfunkel crafted a series of memorable hit albums and singles featuring their choirboy harmonies, ringing acoustic, and electric guitars; and Simon's acute, finely wrought songwriting. The pair always inhabited the more polished end of the folk-rock spectrum, and were sometimes criticized for a certain collegiate sterility. Many also feel that Simon, as both a singer and songwriter, didn't truly blossom until he began his own hugely successful solo career in the 1970s. But the best of S&G's work can stand among Simon's best material, and the duo did progress musically over the course of their five albums, moving from basic folk-rock productions into Latin rhythms and gospel-influenced arrangements that foreshadowed Simon's eclecticism on his solo albums.
Simon & Garfunkel's recording history actually predated their first mid-'60s hit by almost a decade. Childhood friends while growing up together in Forest Hills, NY, they began making records in 1957, performing (and often writing their own material) in something of a juvenile Everly Brothers style. Calling themselves Tom & Jerry, their first single, "Hey Schoolgirl," actually made the Top 50, but a series of follow-ups went nowhere. The duo split up, and Simon continued to struggle to make it in the music business as a songwriter and occasional performer, sometimes using the names of Jerry Landis or Tico & the Triumphs.
By the early '60s, both Simon and Garfunkel were coming under the influence of folk music. When they reteamed, it was as a folk duo, though Simon's pop roots would serve the act well in their material's synthesis of folk and pop influences. Signing to Columbia, they recorded an initially unsuccessful acoustic debut (as Simon & Garfunkel, not Tom & Jerry) in 1964, Wednesday Morning, 3 A.M. They again went their separate ways, Simon moving to England, where he played the folk circuit and recorded an obscure solo album.
The Simon & Garfunkel story might have ended there, except for a brainstorm of their producer, Tom Wilson (who also produced several of Bob Dylan's early albums). Folk-rock was taking off in 1965, and Wilson, who had helped Dylan electrify his sound, took the strongest track from S&G's debut, "Sounds of Silence," and embellished it with electric guitars, bass, and drums. It got to number one in early 1966, giving the duo the impetus to reunite and make a serious go at a recording career, Simon returning from the U.K. to the U.S. In 1966 and 1967, they were regular visitors to the pop charts with some of the best folk-rock of the era, including "Homeward Bound," "I Am a Rock," and "A Hazy Shade of Winter."
Simon & Garfunkel's early albums were erratic, but they steadily improved as Simon sharpened his songwriting, and as the duo became more comfortable and adventurous in the studio. Their execution was so clean and tasteful that it cost them some hipness points during the psychedelic era, which was a bit silly. They were far from the raunchiest thing going, but managed to pull off the nifty feat of appealing to varying segments of the pop and rock audience -- and various age groups, not just limited to adolescents -- without compromising their music. Parsley, Sage, Rosemary and Thyme (late 1966) was their first really consistent album; Bookends (1968), which actually blended previously released singles with some new material, reflected their growing maturity. One of its songs, "Mrs. Robinson," became one of the biggest singles of the late '60s after it was prominently featured in one of the best films of the period, The Graduate (which also had other Simon & Garfunkel songs on the soundtrack).
It was unsurprising, in retrospect, that the duo's partnership began to weaken in the late '60s. They had known each other most of their lives, and been performing together for over a decade. Simon began to feel constrained by the limits of working with the same collaborator; Garfunkel, who wrote virtually none of the material, felt overshadowed by the songwriting talents of Simon, though Garfunkel's high tenor was crucial to their appeal. They started to record some of their contributions separately in the studio, and barely played live at all in 1969, as Garfunkel began to pursue an acting career.
Their final studio album, Bridge Over Troubled Waters, was an enormous hit, topping the charts for ten weeks, and containing four hit singles (the title track, "The Boxer," "Cecilia," and "El Condor Pasa"). It was certainly their most musically ambitious, with "Bridge Over Troubled Waters" and "The Boxer" employing thundering drums and tasteful orchestration, and "Cecilia" marking one of Simon's first forays into South American rhythms. It also caught the confused, reflective tenor of the times better than almost any other popular release of 1970.
That would be their last album of new material. Although they didn't necessarily intend to break up at the time, the break from recording eventually became permanent; as Simon began a solo career that brought him as much success as the S&G outings, and Garfunkel pursued simultaneous acting and recording careers. They did reunite in 1975 for a Top Ten single, "My Little Town," and periodically performed together since without ever coming close to generating albums of new material. A 1981 concert in New York's Central Park attracted half a million fans, and was commemorated with a live album; they also toured in the early '80s, but a planned studio album was canceled due to artistic differences.
It's payday today. My welfare cheque is early because of Christmas.
Sonny Boy Williamson - (Aka:John Lee Williamson) - Welfare Store Blues
Sonny Boy Williamson - (Aka:John Lee Williamson) - Welfare Store Blues
RE: What are you listenin
I like Sonny Boy...I've got his Sonny and Brownie album recorded with Brownie McGee. Guess I'm going to have to fire the turn table.
I'm listening to the Cactus Pricks...As Seen on TV.
I like Sonny Boy...I've got his Sonny and Brownie album recorded with Brownie McGee. Guess I'm going to have to fire the turn table.
I'm listening to the Cactus Pricks...As Seen on TV.
