Historical and interesting photos

Blackleaf

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These beautiful, modern-looking colour photos look like they were taken today but they were, in fact, taken in 1913 and are amongst the world's first colour photos.

They feature the mysterious "lady in red"on a Dorset beach who has featured in this thread before. It was initially thought the young woman in the photos was the daughter of photographer Mervyn O'Gorman, but it is now believed that she may have actually have been his niece.

Who was the 'lady in red'? Mystery deepens as scholars try to identify young woman with cascading blonde hair and scarlet clothes in dreamlike 1913 colour photos


Photographer Mervyn O'Gorman was 42 when he snapped the pictures in Dorset 1913

He was known as an early pioneer of colour photography and used the autochrome process

The model, known only as Christina, was initially thought to be his daughter, but it now seems unlikely

Do you know who Christina was and what happened to her? Email femail@mailonline.co.uk

By Annabel Fenwick Elliott For Daily Mail Online
3 May 2015
Daily Mail


The young beauty looks thoughtful and dreamy as she poses on the shingle beach in a scarlet swimming costume, as her long strawberry blonde hair cascades to her waist.

This ethereal-looking teenager - who is thought to be called Christina - was one of the first people to be photographed in colour, yet rather than becoming famous, the young woman appears to have vanished altogether.

She was captured by photographer Mervyn O'Gorman in the series of dreamlike photos taken in Lulworth Cove, Dorset, in 1913, and for years was thought to be his daughter but now scholars believe she was a relative or friend - but all attempts to track her down have hit a dead end.


She earned the accolade of being one of the first models to appear in colour photographs (pictured), but far from being famous, Christina disappeared into history

The captivating images are owned by the Royal Photographic Society, and are currently on display at the National Media Museum, Bradford.

The woman in question, a willowy teen with tousled strawberry blonde hair, posed for the camera on the Dorset beach, as well as on the grounds of a stately home.

With her tumbling tresses, classic looks and profile, she appears to be a living embodiment of a pre-Raphaelite painting, which only increases the fascination with her true identity.

She wore red in every shot, probably at the request of O'Gorman, since the vibrant colour captured particularly well using the autochrome process.

Patented in 1903, it involved using glass plates covered in microscopic grains of potato starch to filter pictures with dye, and O'Gorman was known to be an early pioneer in this.

O'Gorman was born in Brighton is 1871 and studied science at University College, Dublin (which was then in the UK). He later worked in electrical engineering and had a penchant for cars, eventually being crowned vice president of the Royal Automobile Club.




Christina (top) was initially presumed to be the daughter of the engineer and photographer Mervyn O'Gorman (left), who was 43 when he shot the dreamlike photos


The woman is question, a willowy teen with tousled strawberry blonde hair, posed for the camera on the Dorset beach in the series of images, which and are now on display at the National Media Museum in Bradford

Scholars and genealogy hobbyists now believe her to be a relative or family friend, and all those who have attempted to track Christina down to see what became of her have hit a dead end


Colin Harding, who curated the Drawn By Light exhibition, did some of his own digging in a bid to learn more about the elusive teen (left), who until now was thought to have been shot next to Mervyn's wife Florence (centre) and her sister (right)

The talented entrepreneur married Florence Rasch in 1897, and during the first World War, he became a lieutenant-colonel in the RFC.

When he died in 1958 at the age of 87, Melvyn's obituary described him as 'a man of agile mind and Hibernian eloquence'.

As for who Christina was, the mystery remains.

Sophia Brothers, from the Science & Society Picture Library, told MailOnline: ‘We don’t know much more on who Christina was.

'It’s thought she was the niece of Mervyn O’Gorman, not the daughter as everyone expects.'

The subject of Mervyn O'Gorman's 1913 pictures could have been a relative or family friend but experts say the pioneering amateur photographer's wife Florence was 44 when they married in 1897, which makes their having children unlikely

Indeed, Leeds University lecturer Colin Harding, who curated the Drawn by Light exhibition, currently showing in Bradford, did some of his own digging in a bid to learn more about the elusive teen, and now feels she is unlikely to be O'Gorman's daughter.

'In 1897 O’Gorman had married Florence Rasch,' he wrote for Black And White Photography magazine.

'Eighteen years older than her husband, Florence would then have been 44 – not too old, of course, to have started a family but, perhaps, unlikely.

Uncovering Christina's identity has become something of a challenge and many amateur sleutnote in chat rooms and websites that in the 1911 national census there is no record of Mervyn and Christina having children.

The teenager known only as 'Christina', is captured gazing thoughtfully into an ornamental pond. While the location for this photograph is not known, it may be the gardens of Rempstone Hall near Corfe Castle in Dorset, close to Lulworth Cove

This is corroborated by Colin Harding, who wrote: 'Mervyn's obituaries do not mention any family and the available census records do not list any children.'

However, the 1911 national census does find a Christina O'Gorman, who is aged 13, and living in County Waterford, Ireland. While the age fits, along with the surname - suggesting that she could have been a relative of Mervyn - scholars have been frustrated in their attempts to prove a link between photographer and subject.

He concluded: 'Ultimately, who Christina was isn’t important. O’Gorman’s portraits retain their timeless impact.'

The vivid colours in this photograph, with Christina's red blouse standing out against the green garden, looks eerily modern yet it was taken 102 years ago

 
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gopher

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Minnesota: Gopher State







The Knish Man
Ruby Oshinsky
Born January 3, 1917
Died October 9, 1987


"The best homemade Knishes in the world" - he supposedly loved kids and would sell his knishes at a Hebrew schoolyard in my old neighborhood in Brooklyn. But he was also one reputed to pick his nose without cleaning them before selling his stuff.
 

Blackleaf

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Frenchman Hippolyte Bayard invented a different photographic process known as direct positive printing, a process similar to that produced by Louis Daguerre. Annoyed by Daguerre's fame at the time, Bayard created what has now come to be known as the first hoax photograph in 1840, showing himself pretending to commit suicide


The earliest known aerial photograph is this image of Boston, called 'Boston, as the Eagle and the Wild Goose See It'. It was taken in 1860 in a balloon


The first digital photograph was taken in 1957. It shows a digital scan of a shot first taken on film and depicts Russell Kirsch's son and has a resolution of 176×176. Kirsch is an American former engineer at the National Bureau of Standards who developed the first digital image scanner.


By 1838, humans had made their first appearance on film: a man having his shoes polished and the man doing the polishing in Paris are the first people ever photographed, although they were probably unaware they had even been photographed...


.... an event followed by the first selfie, which was the work of American photographer Robert Cornelius and taken in Philadelphia in 1839


The first photograph of the moon was taken by John W. Draper on March 26, 1840


The first image from space was taken in October, 24th of 1946. The photo depicts the Earth in black-and-white from an altitude of 65 miles (105km).


A few years after the Wright Brothers' historic December 17, 1903 flight was the first fatal plane crash, and the incident was captured on camera. Thomas Selfridge became the first person to die in a powered plane, at Fort Myer in Virginia in 1908 (above)




 
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Blackleaf

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A teenage girl, known only as ‘Christina’, who appeared in a set of 102-year-old colour portraits has been identified as Christina Elizabeth Frances Bevan, a woman who died without marrying in 1981 at the age of 84.

Scholars have been puzzling over the ethereal strawberry blonde, who was captured by photographer Mervyn O'Gorman in a series of dreamlike photos taken in Lulworth Cove, Dorset, in 1913, and for years was thought to be his daughter.

Now a retired engineer has named Christina, a family friend of Mr O'Gorman and the daughter of a prominent philosopher at King's College London, who sparked curiosity when the cache of dreamlike colour pictures was discovered and put on display.


In another previously unseen slide, Christina’s sister Anne on a horse outside their home, captioned, 'Anne on Victor with a Chelsea Pensioner, Edwyn and Daisy outside 6 Chelsea Embankment, 1913'


Christina (centre) would have been 16 when the photos were taken in Dorset in 1913, pictured with her mother and sister in a previously unseen stereoscopic slide belonging to Mr O'Gorman - and recently dug out by a retired technician


Christina's sister, pictured in another slide with Christina and her mother at the same beach in West Lulworth, was Anne Cornelia Favell Bevan, who was born in 1898 and died in 1983 - and bore two children




 

Blackleaf

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It was a time when women who rebelled against Victorian domesticity risked being declared insane and thrown into an asylum by a domineering husband or father.

And these haunting portraits captured by Dr Hugh Welch Diamond between 1848 and 1858 give an insight into the harrowing lives of women forced to live out their years at Suffolk County Lunatic Asylum for paupers.

Faces of pain: Harrowing portraits from Victorian lunatic asylum were taken by doctor who believed photos could help 'cure' them - even though many were only there because their husbands had tired of them


Haunting images give an insight into harrowing lives of women forced to live at Suffolk County Lunatic Asylum

Dr Hugh Welch Diamond captured the photographs between 1848 and 1858 in a bid to cure his patients

He was convinced that he could diagnose a patient's mental illness from a portrait and then cure them

Women who rebelled against Victorian domesticity risked being thrown into an asylum by a husband or father

By Jenny Awford for MailOnline
19 June 2015
Daily Mail

It was a time when women who rebelled against Victorian domesticity risked being declared insane and thrown into an asylum by a domineering husband or father.

And these haunting portraits captured by Dr Hugh Welch Diamond between 1848 and 1858 give an insight into the harrowing lives of women forced to live out their years at Suffolk County Lunatic Asylum for paupers.

Dr Diamond became convinced he was able to diagnose a patient's mental illness from their photographic portraits and then use the image he'd taken to cure the same patient.

He said: 'The patient's subsequent amusement in seeing the portraits and her frequent conversation about them was the first decided step in her gradual improvement.

'And about four months ago she was discharged perfectly cured, and laughed heartily at her former imaginations.'

Women suffering from stress, postnatal depression and anxiety would have been confined to an asylum at the time these pictures were taken. Once there they would have been subjected to 'moral treatment' which would seen them spoken to 'like a child rather than an animal'.




These haunting portraits captured by Dr Hugh Welch Diamond between 1848 and 1858 give an insight into the lives of women at Suffolk County Lunatic Asylum for paupers




Little is known about these vulnerable women other than that they were patients between 1848 and 1858 and were from pauper backgrounds




Women suffering from stress, postnatal depression and anxiety would have been confined to an asylum at the time these pictures were taken




The haunting images were captured by Dr Hugh Welch Diamond, who specialised in treating mental patients





Some of the women in the pictures are dressed in fine clothes (top) despite being from poorer backgrounds





Dr Diamond became convinced he was able to diagnose a patient's mental illness from their photographic portraits and then use the image he'd taken to cure the same patient





He photographed his patients in simple poses against a plain background – poignant echoes of conventional studio portraits of the time




Despite being convinced that he had found a cure to mental illness, Diamond's work was dismissed by other medical staff as 'pseudo-science'


Dr Diamond's (pictured) work was carried on by French police officer and biometrics researcher Alphonse Bertillon who invented the police mug shot

Asylums like Suffolk (pictured) were open to all who needed treatments and by the late 1800s, demand from the impoverished mentally ill outstripped the number of places available


 

Blackleaf

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England's Big Picture: 29 June-5 July 2015


This view of the City of London as seen from Convent Hill in south-east London was captured by Michael of @londonviewpoints on Instagram


Nokomis Brindley took this picture of Antony Gormley's Another Place - the 100 sculptures were placed on Crosby Beach in Liverpool 10 years ago


David Dennis took this image at sunrise of heavy horses crushing bracken at Hastings Country Park, East Sussex


Isaac Sibson took this picture of the lightning storm in Marsden, West Yorkshire


Kerrie Greenfield photographed her dogs Max and Paddy cooling off in a paddling pool in York


Elle Davis took this picture of the Tube station at Southfields, south-west London, which has been decked out with artificial grass to mark the Wimbledon tennis tournament


This rescued baby hedgehog being hand fed at Secret World Wildlife Rescue in Somerset was photographed by Phil MacMillan



England's Big Picture: 29 June-5 July 2015 - BBC News
 

Blackleaf

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In pictures: The Blitz

Between September 1940 and May 1941, the home front in Britain came under attack by German bombs. The raids, which targeted large cities and industrial areas, resulted in 43,000 civilian deaths on top of the 40,000 civilians killed in the Battle of Britain, and completely destroyed thousands of homes and workplaces.

Wednesday 15th July 2015
Submitted by: Jessica Hope
BBC History Magazine
BBC History Magazine - 5 issues for £5


Three-year-old Eileen Dunne in the Hospital for Sick Children, 1940, photographed by Cecil Beaton. (Credit: IWM North/MH 26395)

Over a period of 267 days (almost 37 weeks), London was attacked 71 times, Birmingham, Liverpool and Plymouth eight times, Bristol six, Glasgow five, Southampton four, Portsmouth and Hull three, and there was also at least one large raid on another eight cities. Mercilessly, London was bombed for 57 consecutive nights. Over one million houses in London alone were destroyed.

Now, the Blitz is the subject of a new interactive exhibition at the Imperial War Museum North in Manchester. Titled Horrible Histories®: Blitzed Brits, the exhibition includes more than 200 photographs, objects, posters and film clips from the Blitz. Visitors also have the chance to learn about the personal stories of the people who lived through the bombing.

The exhibition charts the heavy raids on Britain’s shores that began on 7 September 1940, during what became known as the battle of Britain (which ended on 31 October). The German air force, the Luftwaffe, dropped 5,300 tonnes of high explosives on London over the course of just 24 nights in September alone. The Luftwaffe then targeted major ports and centres of production and supply.

Here, we take a look at some of the images on display at the exhibition…


Buildings burning in Manchester after a German air raid on the night of 23 December 1940. (Credit: IWM North/H_6318 )


Sister and brother, June and Tony Bryant, waiting for the train at Clerkenwell Station which evacuated them from London to Luton. (Credit: IWM North/ HU 36217) [My own grandparents were child evacuees during the war]


(Credit: IWM North/Art.IWM_PST_8234)


A female warden carrying a little girl after she had been rescued by a fireman from a house on which a V1 flying bomb had landed in Southern England. (Credit: IWM North/HU 36277)


Between June 1944 and March 1945 the Germans launched almost 10,000 V-1 flying bombs at Britain from the French and Dutch coasts. At its peak, more than 100 of them per day were being launched at the country


A police constable comforts a man sitting amongst the rubble of his house destroyed by a V1 Flying Bomb in 1944. (Credit: IWM North/ IWM_D_21213)


A young child putting kitchen waste into a municipal pig bin at Kingston-upon-Thames, Surrey. These scraps were then collected, treated and fed to pigs. (Credit: IWM North/HU36203)


(Credit: IWM North/Art.IWM_PST_8105)


Two small girls in the rubble of Battersea on VE Day waving their flags to celebrate the end of the war in Europe. (Credit: IWM North/HU49414)




Horrible Histories®: Blitzed Brits is open at the Imperial War Museum North in Manchester until 10 April 2016. Entry is free. To find out more about the exhibition, click here.

The Blitz gallery - Horrible Histories: Blitzed Brits | History Extra
 
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coldstream

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I thought the Imperial War Museum was a Frank Gehry design.. but its a Daniel Libeskind.. who really produces knockoffs of the original.

I'm not sure i'd build a War museum in 'Deconstructivism'. Toronto has a Libeskund too in the addition to the Royal Ontario Museum.. which alson panders to this Gehry fadism.. with little thematic or cultural integrity.

He was given the nod to design the rebuilt World Trade Centre.. but was sidelined after a sober second look at his chaotic intersecting planes was deemed to have little coherence or reference to its surroundings.
 
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Blackleaf

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In pictures: strange creatures through history

Since the earliest days of exploration, paintings and books have offered Britons their first glimpse of exotic creatures from faraway lands. Now, a collection of some of the most unusual images used to bring newly discovered animals into the public eye are to go on display at the Grant Museum of Zoology at University College London.

Monday 9th March 2015
Submitted by: Emma McFarnon
BBC History Mag
BBC History Magazine - 5 issues for £5


A rhino, from Tabulae scleti et Muscularum Corporis Humani, Bernhard Siegfried Albinus, 1747. © Wellcome Library, London


‘Strange Creatures: The art of unknown animals’ pulls together a range of artworks by people who had never seen exotic animals in the flesh. Highlights include a 16th-century copy of Dürer’s famous armoured rhinoceros; medieval accounts of exotic creatures; fake ‘dragon’ specimens created from dried fish by sailors, and 21st-century reconstructions of dinosaurs. Together they explore how unknown animals have, through history, been communicated to the wider public.

The exhibition centres upon George Stubbs’ famous painting of a kangaroo, which was created following Captain Cook’s first Pacific ‘Voyage of Discovery’, and is Europe’s first painting of an Australian animal.

UCL’s Dr Chiara Ambrosio, one of the 10 researchers who contributed to the exhibition, said: “Sometimes they were created from explorers’ written descriptions, while other artists copied existing drawings but added their own interpretations of those descriptions. It is fascinating to see a change in entire worldviews reflected in the way particular images changed over time.”

Exhibition curator, Jack Ashby, said: “It’s not only historic artworks which misportrayed these amazing species, but we also see it in the practice of taxidermy, where skins were shipped back to Europe and fleshed-out to recreate the animal based on a few notes. It’s also true of modern dinosaur toys, which have been copying outdated images of fossil species for over a century.

“It’s been such a fascinating exhibition to pull together – being able to work with a group of historians, artists and scientists from such a diverse set of disciplines has allowed us to tell so many stories about the topic of animal representations. It’s also very exciting to see these incredible objects, like Stubbs’ kangaroo, and Captain Cook’s handwritten voyage accounts, displayed alongside the Grant Museum’s animal specimens.”


A drawing of a lion by an unknown artist who had clearly never seen one. A Lion in a Landscape, Anonymous (Dutch), late 17th century. © UCL Art Museum, University College London.


The earliest European painting of an Australian animal. It was produced by George Stubbs, who had never seen a kangaroo, based on an inflated skin, skull, written descriptions and sketches. The Kongouro from New Holland (Kangaroo), George Stubbs, 1772. © National Maritime Museum, Greenwich, London.


A 13th-century manuscript engraving of an elephant drawn in 1241 before the artist, Matthew Paris, had seen one. From Chronica Maiora, Matthew Paris (MS 16II, f. 152v). © The Master and Fellows of Corpus Christi College, Cambridge.


A knitted thylacine pelt. Tasmanian tigers were hunted to extinction in 1936 because of a powerful farming lobby. Artists like Ruth Marshall use the familiar, unchallenging practice of knitting to raise controversial issues like habitat loss and extinction. The movement is called craftivism. Tasmanian Tiger #3, Ruth Marshall, 2015. © Ruth Marshall.



A copy of Dürer's rhino, which was based on a written description. It has fantastical armour and a strange shoulder horn, and became an enduring image of rhinos for Europeans. A Rhinoceros, Enea Vico (after Albrecht Dürer), 1558. © UCL Art Museum, University College London.


An elephant from the same 13th-century manuscript as above (picture 4), drawn in 1255 after Matthew Paris had seen one in the Tower of London. From Chronica Maiora, Matthew Paris, 13th century (MS 16I, f.iir) Credit © the Master and Fellows of Corpus Christi College, Cambridge.

'Strange Creatures: The art of unknown animals' will run at the Grant Museum of Zoology from 16 March to 27 June 2015. To find out more, click here.


In pictures: strange creatures through history | History Extra
 

Blackleaf

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Historic images of England

22 July 2015
BBC News

The photographic archive of Historic England contains images that capture 150 years of the changing social scene as well as the landscape of the country. An exhibition of pictures from the collection is on show until 21 September 2015 at Birmingham Library.



Photo: St Paul's Cathedral from Southwark Bridge, City of London, 1855-59. Unknown photographer, possibly Alfred Rosling (1802-82)

This view of St Paul's Cathedral looming beyond the Thames-side wharves is an albumen print from a wet collodion negative. The photographer is unknown, though it is virtually identical to a calotype photograph by Alfred Rosling and it is possible that he tried to recapture the scene later in the decade using the more up-to-date process. Rosling was a timber merchant and one of England's earliest amateur photographers and a founder member of the Photographic Society and the Photographic Exchange Club.


Photo: Queen Victoria's Diamond Jubilee decorations, St James's Street, London, 1897. York & Son


London photographers York & Son took this picture of the preparations to celebrate Queen Victoria's Diamond Jubilee in 1897. St James's Street is festooned with garlands and lights beyond a pair of mock classical columns. Many temporary structures were built in front of shops, offices and private dwellings along the processional route, and one agency, Francis Hope & Co, advertised seats and window views at prices ranging from two to 2,000 guineas.


Photo: Egg gatherers, Flamborough, Yorkshire (now East Yorkshire), July 1926. Walter Scott Ltd


The collecting of seabirds' eggs from Flamborough Cliffs fascinated holidaymakers, and therefore attracted the attention of the Bradford-based postcard company Walter Scott Ltd. Tourist guidebooks described how teams of four would gather the eggs in late spring and early summer, lowering a climber over the edge of the cliff by rope and pulley. After collecting guillemot, razorbill, kittiwake and puffin eggs in bags attached to his waist, the climber would be pulled back to the cliff top. This image shows one successful team at "the end of a hard day". The collecting of wild birds' eggs - also known as oology - is now illegal in the UK. It's only legal to possess a wild bird's egg if it was taken before 1954.


Photo: Goosemire, Mardale, Westmorland (now Cumbria), 1935. Royal Commission on the Historical Monuments of England

This photograph of Goosemire farmstead was taken during investigations for the Royal Commission on the Historical Monuments of England's Westmorland Inventory, which was published in 1936. It soon became a valuable object of record as the construction of the Haweswater Dam to supply water to Manchester, beginning in 1929, dramatically changed the landscape of Mardale, a glacial valley. Goosemire farmstead was demolished soon after this photograph was taken, and the dam later raised the level of the existing Haweswater Lake, flooding the valley. The very top of Wood Hawe, in the middle distance of the image, is now just above the waters.


Photo: Henry Taunt on his houseboat, Oxford, Oxfordshire, 1895. Unknown Photographer.

Henry Taunt, the Oxford photographer, poses with a female companion, probably his housekeeper and friend Fanny Miles. Taunt photographed the River Thames from around 1860, eventually opting for this comfortable horse-drawn houseboat which served as a floating studio with a rooftop mounting for his camera.


Photo: Lintel being lifted for replacement after adjustment of stones 6 and 7, Stonehenge, Wiltshire, 17 March 1920. Office of Works.

After many years in private ownership, Stonehenge was given to the nation in 1918, and a programme of investigation and restoration followed a structural survey by the Office of Works. The archaeologist Lt Col William Hawley supervised extensive works that included excavation, the righting of fallen stones, and remedial steps to prevent the collapse of others. Here a trilithon lintel is being replaced following the re-erection of Stones 6 and 7, and their setting in concrete. Hawley's restoration work came to an end in December 1920 but his excavations continued until 1926.


Photo: Birmingham Town Hall, Victoria Square, Birmingham, 1941. George Bernard Mason (1896-1985), National Building Record.


George Bernard Mason's wartime view of Birmingham Town Hall has captured the building festooned with an enormous graphic banner promoting a Nelson-inspired Warship Week fundraising campaign. The city's target was to raise £10m in savings for the adoption of the battleship HMS King George V. Sir John Summerson, one of the leading lights behind the formation of the National Buildings Record (NBR), in 1991, described Mason as "the greatest discovery and the champion producer of results of the highest competence". Mason, a Birmingham craftsman and part-time photographer, went on to take thousands of images for the NBR until the 1960s.


Photo: Rotherhithe Tunnel under construction, Southwark, London, 30 November 1906. Unknown Photographer.

Begun in 1904, the construction of the Rotherhithe Tunnel was supervised by Maurice Fitzmaurice, chief engineer to London County Council, who had worked on the earlier Blackwall Tunnel and used a similar structural design here. The road tunnel connected the dock areas of the Ratcliffe district of Limehouse north of the River Thames with Rotherhithe in the borough of Southwark to the south of the river. The Prince of Wales, later King George V, officially opened the tunnel on 21 June 1908.


Photo: The Holborn Viaduct under construction, City of London, 11 September 1869. Henry Dixon (1820-93)

This elevated view of Holborn Viaduct under construction is one of a series of images taken by Henry Dixon to record progress on this Corporation of London improvement scheme. It shows the scale of a project which involved demolishing more than 4,000 buildings and provided a causeway over the Fleet Valley, connecting the West End with the City. A hoarding announces that Midland Railway mainline trains are using the new St Pancras Station. Henry Dixon took up photography before 1860, and is probably best known for his work for the Society for Photographing Relics of Old London.


Photo: Barton Swing Aqueduct, Bridgewater Canal, Barton-upon-Irwell, Lancashire (now Greater Manchester), 1945-54 by Eric de Mare (1910-2002)

The aqueduct, designed by Sir E Leader Williams and built in 1893, was the first swing aqueduct to be constructed, using hydraulic power to turn the structure on a central pier to allow the passage of vessels below. It replaced the first canal aqueduct in England which opened in 1761 to carry the Duke of Bridgewater's Canal over the River Irwell. A 600-mile (965km) tour of England's inland waterways in 1948 inspired Eric de Mare, one of the most important industrial photographers of his generation, with an enthusiasm for canals.


Photo: Oxford Arms Inn, Oxford Arms Passage, Warwick Lane, City of London, 1875. A&J Bool

Alfred (1844-1926) and John Bool (1850-1933) of Pimlico, photographed the Oxford Arms Inn for the Society for Photographing Relics of Old London when the future of the building was uncertain.



There is a book to accompany the exhibition, Picturing England: The Photographic Collections of Historic England, published by Historic England.






www.libraryofbirmingham.com


Historic images of England - BBC News
 
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Blackleaf

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In pictures: early Victorian photography

An exhibition exploring one of the earliest forms of paper photography – salt prints – opens at Tate Britain this month, with some 90 rare examples on show. Invented by William Henry Fox Talbot in the mid-19th century, the salt print technique involved soaking paper in silver iodide salts to register a negative image that, when photographed again, created permanent paper positives. The works displayed are among the few salt prints that survive.


Monday 2nd February 2015
Submitted by: Charlotte Hodgman
BBC History Magazine
BBC History Magazine - 5 issues for £5


David Hill & Robert Adamson, The Gowan [Margaret and Mary Cavendish], c.1845, likely taken in Fife, Scotland. © Wilson Centre for Photography


Cantinière [woman attached to a military regiment], by Roger Fenton, the Crimean War photographer, 1855 © Wilson Centre for Photography


Base of the Obelisk (of Theodosius, Constantinople), by James Robertson, c1854 © Wilson Centre for Photography


Mother and Son, by Jean-Baptiste Frenet, 1855 © Wilson Centre for Photography


Fruit Seller, by George Kendall Warren, 1860, taken in Cambridge, Massachusetts © Wilson Centre for Photography


The Fruitsellers, by Calvert Jones, 1843, taken at Lacock Abbey, Wiltshire © Wilson Centre for Photography


Elizabeth Rigby, later Lady Eastlake, with the Cupid Statuette, by Hill & Adamson, c1845 © Wilson Centre for Photography


Newhaven fishermen, by Hill and Adamson, 1844, taken in Newhaven, Edinburgh © Wilson Centre for Photography


William Morton, One of Dr. Kanes’s Men, by John S. Johnston, c1857 © Wilson Centre for Photography



Roger Fenton, Captain Lord Balgonie, Grenadier Guards, 1855, Crimean War. © Wilson Centre for Photography


Roger Fenton, Group of Croat Chiefs, 1855, Crimean War. © Wilson Centre for Photography


David Hill & Robert Adamson, Five Newhaven Fisherwomen, c. 1844, Newhaven, Edinburgh. © Wilson Centre for Photography.


William Fox Talbot, Nelson’s Column Under Construction, Trafalgar Square, 1844. © Wilson Centre for Photography



Salt and Silver: Early Photography 1840–1860 is on show at Tate Britain, London from 25 February–7 June 2015. Find out more at www.tate.org.uk


In pictures: early Victorian photography | History Extra
 

Blackleaf

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Who needs a PlayStation? Incredible pictures from the 1960s capture the last days of the slums - and an era before health and safety ruled our children

Photographer Shirley Baker spent almost two decades documenting the changing street life around Manchester

She photographed ordinary street scenes and captured a valuable insight into the transformation from the 1960s

Ms Baker's streetscapes showed women and children standing outside their slum homes before demolition

The artwork is being featured in a major exhibition in London until September 20 at the Photographers' Gallery

By Darren Boyle for MailOnline
19 August 2015
Daily Mail

These are the haunting pictures of the last days of Manchester slum-land when houses built during the 19th century to home workers were finally demolished.

Photographer Shirley Baker was the only female photographer documenting British street scenes between the 1960s and the 1980s.

Her work featured urban areas in Manchester and nearby Salford at a time of major social change, catching the dying days of a previous era.


This picture from the 1960s shows a young traveller girl standing amid the rubble of an area of deprivation in Manchester


Here Shirley Baker captures a shot of a young boy in 1967 with a cheeky grin, wearing a jacket


Here, a group of mothers are standing in a street with their children outside their soot-blackened homes in Manchester



Ms Baker captured images of people living in the densely-packed terraced houses in inner-city Manchester - similar type places to that depicted in Coronation Street.

The photographs showed youngsters at play and their mothers standing outside talking in communal groups, something that would appear very strange to modern society.

Speaking to The Guardian in 2012 about the clearances of the slums, Ms Baker said: 'There was so much destruction: a street would be half pulled down and the remnants set on fire while people were still living in the area. As soon as any houses were cleared, children would move in and break all the windows, starting the demolition process themselves. There was no health and safety in those days; they could do as they liked. I never posed my pictures. I shot scenes as I found them.'

In many of the photographs, children were forced to improvise to find ways to amuse themselves. Instead of expensive toys and games, they used bits of rope and even Second World War surplus gas masks.

The amazing photographs, which illustrated a long-lost era, are on show in a special exhibition called Women, Children and Loitering Men at the Photographers' Gallery in London until September 20.

Ms Baker died in 2014 aged 82 after a short illness.


Ms Baker claimed that she never posed her photographs and instead documented things exactly as she found them


Here a group of children play cricket on the pavement outside their house which seems to have peeling paint on its walls


The images showed children exploring the areas around their homes in a manner that would be unacceptable to today's parents


Not all of Ms Baker's images concentrated on women and children but some showed men loitering around the area


The images show women and children sitting outside their cramped accommodation in the fresh air


In a scene from 1965, Ms Baker captures this image which could have easily come from 50 years earlier


Here a group of girls, probably sisters, sit in the lane at the back of their home while two older women are in deep conversation


Here a young child poses with what looks like a toy gun while in the background a young girl can be seen standing in a pair of high heels


These two children are playing with a pair of Second World War surplus gas masks while one is still in his school blazer

 
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1920s Britain at work and play: Glorious National Geographic colour photographs capture an innocent age a century ago

By Mark Duell for MailOnline
20 August 2015
Daily Mail

From Boy Scouts on a hike to children playing on a beach, this wonderful set of photographs captures British life almost a century ago.

The images from the 1920s and 1930s also include scenes of postmen on their rounds, police directing buses and characters in a pageant.

They were taken by Clifton R. Adams, who was sent to Britain by National Geographic magazine to photograph life in the country.

Mr Adams, who died in 1934 aged just 44, had instructions to record its farms, towns and cities, and its residents at work and play.

He took the images in colour using Autochrome Lumière, which was the most advanced colour photographic process of the day.

The plates were covered in microscopic potato starch grains coloured red, green and blue-violet, with about four million per square inch.

Light passed through the colour filters when an image was taken, with the plate then processed to produce a positive transparency.


Life's a beach: Children play on the sand near Yarmouth, a popular destination for holidaymakers on the Isle of Wight in 1928




You've got mail: Two girls send a letter at a red pillar box in Belfast in 1927 (top), while a woman is seen on the Isle of Wight in 1928 (bottom)


Work in the fields: A police constable passes the day with farmers gathering hay in Lancashire in November 1928

Rule Britannia: Characters in a pageant - Britannia and her colonies and dependencies - on the grass in Southampton in 1928

Sandcastles: A young girl plays on the beach with bucket and spade in Sandown on the Isle of Wight in 1928




Ruby red: A man posts a letter next to a traditional telephone box in Oxford (top) while a group of women hike in what is now Cumbria (bottom) in 1928

What a view: Locals enjoy the view of the Surrey Hills, in 1928, which was designated an Area of Outstanding Natural Beauty in 1958

Off to work: An informal portrait of a farmer and his cart in the small town of Crowland in Lincolnshire, near Peterborough, in 1928


Choices: Two women buy ice cream from a vendor out of his converted car in Cornwall - which has the phrase 'Stop Me & Try One' - in 1928




Kilts: Two soldiers stand in Hythe, Kent, in 1928 (top), while two girls talk outside a home in Chillington, Devon, in the same year (bottom)


Pleasant: Two women enjoy a leisurely tea in 1928 in front of the Clock House in Buckinghamshire, which was originally a hospice


Deliveries: A postman delivers packages with his parcel post barrow in front of a shop in Oxford offering 'haircutting and shaving' in 1928




In the mail: A woman posts a letter in Oxford in 1928 (top), while a woman sells artificial flowers for charity on Alexandra Day in Kent (bottom)



In costume: Actors dress for a pageant as Britannia and her four knights as they pose for a photo with the flags of England, Scotland, Ireland (most of Ireland seceded from the UK in 1922) and the UK in Southampton, Hampshire, in 1928


Lovely day: A young girl stands outside her cottage near Clovelly, a village on the coast of North Devon in 1928


Posed up: Veteran soldiers - known as Chelsea Pensioners - sit on the steps of the Royal Hospital Chelsea in London in 1928


Quite a construction: A family builds a sandcastle at the seaside resort of Sandbourne, near Bournemouth in Dorset in 1932




Village life: A boy posts a letter in a postbox in Sussex (top), while a woman admires flowers in Clovelly, Devon (bottom), both in 1928


Teamwork: A portrait of Boy Scouts at Abinger Hammer - a village in Surrey situated in between Dorking and Guildford - on a Sunday hike




Devon scenes: A woman walks on the street in Clovelly (top), while a child stands by The Cat and the Fiddle Inn in Exeter, Devon, in 1931 (bottom)


All aboard: Passengers ride on 'Billy', a locomotive running at the Kent seaside resort of Margate in 1931

Picture postcard: Two children and a lady stand outside of a thatch-roofed cottage in Hampshire in 1931




Riverside: Women sit near the Avon River with Holy Trinity Church behind in Stratford in 1929 (top) while a man mows grain in 1929 (bottom)


Proud: An English woman points to her farm cart in Cambridgeshire, which bears the year before the photo was taken


Break time: Two girls eat lunch in a hayfield near Hawkshead in Lancashire in 1929, which is now part of Cumbria


Working the land: A girl stands in an unidentified field in Lincolnshire in 1929 holding barley




Tickets please: A tour bus in Ulverston (Stan Laurel's birthplace), Lancashire (now Cumbria), in 1929 (top), and two Chelsea Pensioners in signature scarlet coats in 1929 (bottom)

Take a break: English Boy Scouts on a hike stop for a rest near Ambleside, north-west of Windermere in Westmorland (now Cumbria) in 1929


Famous uniform: Yeomen Warders, popularly known as Beefeaters, at the Tower of London

Colourful: A girl sits in front of the rhododendrons in 1929 at Kew Gardens in south-west London, which was founded in 1840




Red is the colour: A girl puts an envelope in a postbox in Oxford in 1929 (left), while two Chelsea Pensioners sit in the same year (right)


Three's a crowd: The Chief Warder, a Coldstream Guard, and a Yeoman Warder pose at the Tower of London in 1929


Having fun: A group of children sit, playing in the sand in 1931 at Dymchurch beach in Kent, which lies south-west of Folkestone


Congestion: A policeman directs buses at the intersection of Trafalgar Square in the centre of London in 1929


Looking out: Two young adults sit in the grass by a cliff near water and the village of Rottingdean in East Sussex in 1931

 
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The power of photography: Images that changed world opinions

The Telegraph
4 September 2015



The photograph taken by Nilufer Demir of a Turkish police officer carrying the lifeless body of Aylan Kurdi on a beach near the Turkish resort of Bodrum has become the catalyst for action as Europe's migrant and refugee crisis deepens. Nilufer Demir, a photographer from Turkish news agency Dogan, told broadcaster CNN Turk: "When I realised there was nothing to do to bring that boy back to life I thought I had to take his picture...to show the tragedy." She added, "I hope the impact this photo has created will help bring a solution."

Some viewers may find some of the following images disturbing.

Picture: Nilufer Demir/AFP/Getty Images




1989 Tiananmen Square protest by Jeff Widener


The Chinese government sent tanks to brutally kill hundreds of workers, students and children in a crackdown on the protest at Tiananmen Square. A man stood bravely in protest in front of the tanks. As TIME magazine reported it, he "revived the world's image of courage. It is when history disguises itself as allegory that the camera writes it best."

Picture: AP Photo/Jeff Widener




The Falling Man is a photograph taken by Associated Press photographer Richard Drew of a man falling from the North Tower of the World Trade Center during the September 11 attacks in New York City in 2001. The subject of the image, whose identity remains uncertain, was one of the people trapped on the upper floors of the skyscraper who jumped to escape the fire and smoke.

Picture: AP Photo/Richard Drew




South African photojournalist Kevin Carter was the recipient of a Pulitzer Prize for his photographs depicting the famine in Sudan. In March 1993, while on a trip to Sudan, Carter was preparing to photograph a starving toddler trying to reach a feeding centre when a hooded vulture landed nearby. Carter committed suicide three months after winning the Pulitzer Prize.

Picture: Kevin Carter




Pictures of torture at Abu Ghraib prison

A series of "trophy" images famously revealed by the United States Army Criminal Investigation Command in 2004, exposed abuse and humiliation of Iraqi inmates by a group of US soldiers.

Picture: AP




Vietnam War, 1972: Kim Phuc in a napalm attack in South Vietnam by Nick Ut

Nick Ut's photograph of five children running in terror from an accidental napalm attack was widely published around the world, and crystallised in people's mind's the grim injustices of the Vietnam War. The war was heavily reported on and historians believe that images, particularly this one, had a huge impact at home, resulting in violent anti-war protests, a world-wide campaign for peace, and even contributing to the end of the war.

Picture: AP Photo/Nick Ut




Spanish Civil War, 1936: Loyalist Militiaman at the Moment of Death by Robert Capa


This picture caused a stir when it was published in French magazine Vu, and, it has been argued, even helped strengthen the Republican cause. Some regarded it as a symbol of anti-Fascism, others as a more universal anti-war statement. Either way, the political implications of photography were fast being realised. Since the 1970s, there have been doubts about its authenticity due to its location, the identity of its subject, and the discovery of staged photographs taken at the same time and place.

Picture: ROBERT CAPA / MAGNUM




1961 Hans Conrad Schumann jumping into West Berlin by Peter Leibing

Capturing the moment of a soldier risking his life to escape from the communist Eastern Block by leaping over the barbed wire, this picture summed up the desperation of the Cold War.

Picture: Peter Leibing




Crimean War, 1855: Valley of the Shadow of Death by Roger Fenton


Briton Roger Fenton is widely regarded as the first war photographer. Unable to take pictures of battle, due to the necessary exposure time needed to create a photograph in the 1850s, Fenton arranged cannon balls across a barren landscape. This metaphorical and eerily empty image demonstrated that the photograph could be as thoughtful and affecting as a poem, even on the battlefield.

Picture: Roger Fenton




This photo taken in 1930 shows the lynching of two young black men, Thomas Shipp and Abe Smith, who were beaten and hung from a tree in the courthouse square in Marion, Indiana. The two men were rounded up by police following the fatal shooting of a white man. Local photographer Lawrence Beitler took what would become one of the most iconic photographs in the struggle for civil rights in the US. The photograph also helped inspire the poem and song "Strange Fruit" written by Abel Meeropol — and performed by Billie Holiday.

Picture: AP Photo/Indiana Historical Society/Lawrence Beitler




World War II, 1945: Nagasaki, taken by the U.S. Air Force

Proof of man's ability to wreak destruction on a vast scale; the image of the mushroom cloud, captured here as 80,000 people were killed in one blow, is imprinted on the collective imagination.

Picture: AP




Photograph taken by Dorothea Lange when working for the Farm Security Administration (FSA) as part of Roosevelt's New Deal. The FSA produced some of the most remarkable social documentary photographs of the 20th century in their attempt to produce an encyclopaedic record of American life between 1935 and 1944, employing such photographers as Dorothea Lange, Jack Delano and Ben Shahn.


The power of photography: Images that changed world opinions - Telegraph
 
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'A Group Taking Tea at Lacock Abbey', Wiltshire, William Fox Talbot, 1843


Soldiers on Brienner Straße in Munich in the Kingdom of Bavaria, 1840



Paris, 1840


Paris, 1840


A game of cricket at Eton, 1860s


Berlin, 1840


Joseph Bonaparte, Napoleon's elder brother, circa 1840