British rock Gods Judas Pries released their new album "Nostradamus" on 16th June in Britain and 17th June in US and Canada....
New album - "Nostradamus".
JUDAS PRIEST ARE:
Rob Halford - lead vocals
K. K. Downing - guitar, backing vocals
Glenn Tipton - guitar, keyboards, backing vocals
Ian Hill - bass guitar
Scott Travis - drums, percussion
"Nostradamus" will recount the life of this mysterious, 16th Century French "prophet." Some of the events Nostradamus experts have interpreted as his predictions include the great fire of London in 1666, the rise of Adolf Hitler, and most recently, 9-11, a Priest news release says.
On 2005's (almost) divine comeback album Angel of Retribution, Judas Priest fans got a modern day update of the band's genre-bending 1976 classic, Sad Wings of Destiny.
The New Wave of British Heavy Metal legends return to the mines for 2008's Nostradamus, though this time it's another band's treasure they're looting, specifically Iron Maiden's 1988 concept album, Seventh Son of a Seventh Son. Heavy metal's obsession with seers, sorcery, and anything else that falls under the nebulous blanket of the "dark arts" is legendary, and Maiden's loosely knit tale of a visionary "chosen one" provided listeners with one of the last great albums of the pre-grunge, epic metal era, due in part to some truly memorable songs that remain fan favorites even to this day.
Nostradamus, on the other hand, manages to live up to nearly every Spinal Tap cliché (non-deliberate, laugh-inducing cover art; melodramatic spoken word interludes; rhyming "fire" with desire). At nearly two hours long, one expects a certain amount of filler, but the dated keyboard strings, soft piano, and bluesy, minor-key guitar licks that populate every nook and cranny in between (and often throughout) each track sound like discarded incidental music from The X-Files or an RPG video game "cut scene."
The songs themselves are hit or miss, with the emphasis falling on the latter, due mostly to an over-reliance on three-chord, midtempo filler, but as is the case with nearly every Priest offering, when they're on they're dead on.
Disc one closer "Persecution," after a lengthy organ/guitar intro, unleashes Nostradamus' finest six minutes, boasting one of the best choruses the band has produced since 1988's "Hard as Iron" (few things sound as natural and satisfying as Rob Halford's metallic voice running through a phaser, and his signature scream, when it arises, still has no equal).
The predictable but effectively apocalyptic "War" (taking a cue from Holst's Mars, Bringer of War) spawns one of the few great orchestral breakdowns on the record, while both "Death" and the nearly seven-minute title track feature stunning guitar work from Glenn Tipton and K.K. Downing.
None of this, however, can save Nostradamus from the fact that even if it were reduced to a single album (it should have been), its flaws would far outweigh its triumphs.
Excess and metal go together like blood and guts, but even gore loses its ability to draw a reaction after the umpteenth beheading. [This Deluxe Edition included an insert with a code to receive a general-admission ticket ("while supplies last") to a Judas Priest concert during summer.
~ James Christopher Monger
http://shop.mtv.com/Nostradamus--Deluxe--New-Wave-of-British-Heavy-Metal_stcVVproductId44059418VVcatId421083VVviewprod.htmonger
New album - "Nostradamus".
JUDAS PRIEST ARE:
Rob Halford - lead vocals
K. K. Downing - guitar, backing vocals
Glenn Tipton - guitar, keyboards, backing vocals
Ian Hill - bass guitar
Scott Travis - drums, percussion
"Nostradamus" will recount the life of this mysterious, 16th Century French "prophet." Some of the events Nostradamus experts have interpreted as his predictions include the great fire of London in 1666, the rise of Adolf Hitler, and most recently, 9-11, a Priest news release says.
On 2005's (almost) divine comeback album Angel of Retribution, Judas Priest fans got a modern day update of the band's genre-bending 1976 classic, Sad Wings of Destiny.
The New Wave of British Heavy Metal legends return to the mines for 2008's Nostradamus, though this time it's another band's treasure they're looting, specifically Iron Maiden's 1988 concept album, Seventh Son of a Seventh Son. Heavy metal's obsession with seers, sorcery, and anything else that falls under the nebulous blanket of the "dark arts" is legendary, and Maiden's loosely knit tale of a visionary "chosen one" provided listeners with one of the last great albums of the pre-grunge, epic metal era, due in part to some truly memorable songs that remain fan favorites even to this day.
Nostradamus, on the other hand, manages to live up to nearly every Spinal Tap cliché (non-deliberate, laugh-inducing cover art; melodramatic spoken word interludes; rhyming "fire" with desire). At nearly two hours long, one expects a certain amount of filler, but the dated keyboard strings, soft piano, and bluesy, minor-key guitar licks that populate every nook and cranny in between (and often throughout) each track sound like discarded incidental music from The X-Files or an RPG video game "cut scene."
The songs themselves are hit or miss, with the emphasis falling on the latter, due mostly to an over-reliance on three-chord, midtempo filler, but as is the case with nearly every Priest offering, when they're on they're dead on.
Disc one closer "Persecution," after a lengthy organ/guitar intro, unleashes Nostradamus' finest six minutes, boasting one of the best choruses the band has produced since 1988's "Hard as Iron" (few things sound as natural and satisfying as Rob Halford's metallic voice running through a phaser, and his signature scream, when it arises, still has no equal).
The predictable but effectively apocalyptic "War" (taking a cue from Holst's Mars, Bringer of War) spawns one of the few great orchestral breakdowns on the record, while both "Death" and the nearly seven-minute title track feature stunning guitar work from Glenn Tipton and K.K. Downing.
None of this, however, can save Nostradamus from the fact that even if it were reduced to a single album (it should have been), its flaws would far outweigh its triumphs.
Excess and metal go together like blood and guts, but even gore loses its ability to draw a reaction after the umpteenth beheading. [This Deluxe Edition included an insert with a code to receive a general-admission ticket ("while supplies last") to a Judas Priest concert during summer.
~ James Christopher Monger
http://shop.mtv.com/Nostradamus--Deluxe--New-Wave-of-British-Heavy-Metal_stcVVproductId44059418VVcatId421083VVviewprod.htmonger
