Storm clouds give way to smileys over London

Blackleaf

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A famous photograph taken in 1940 shows plumes of black smoke surrounding London's St Paul's Cathedral (which miraculously, and thankfully, survived as all around it was being razed) as German bombers nightly discharged hundreds of bombs and incendiary devices causing devastation across the city, leaving it one of the most dangerous places to live on Earth.

Herbert Mason’s famous photograph taken on the night of December 29, 1940, captures the silhouette of the dome wreathed in the smoke and flames of the destroyed city.

The photograph was published in the Daily Mail two days later, with a caption stating that “it symbolises the steadiness of London’s stand against the enemy: the firmness of Right against Wrong”.

However, London in 2009 is a much different city.

A new photo of St Paul's Cathedral shown from a similar angle as the 1940 photo shows nothing more sinister than a smiley face floating past.

More than 2000 smiley-faced pink clouds were released in London today, so any Londoners thinking that they may have drunk too much Strongbow were NOT imagining things.

The artist who created them said he wanted to cheer people up during the recession.

As well as that, the installation aims to show that creative industries have an important role in the British economy and should not be neglected during the recession. The creative industries will grow at an average at more than double the rate of the rest of the economy this year.

Storm clouds give way to smileys over London



(Happy face foam clouds float past the dome of St Pauls Cathedral in the City of London


Kaya Burgess
The Times
25th February 2009


The clouds that linger over London are often described as dark, threatening and stormy, but rarely are they described as “happy”. Until today.

More than 2,000 smiley-faced pink clouds were today released over the capital from outside the Tate Modern on London’s South Bank.

The artist Stuart Semple, who created the Happy Cloud installation, said: “I just wanted to make a piece of work that could cheer people up a bit. I’ve had enough of the doom and gloom in the air and I wanted to show something completely positive floating up in the sky.”

The 2,057 clouds - made of helium, soap and vegetable dye - drifted over the Thames and the City of London. One was released every seven seconds from eight o’clock this morning, and the eco-friendly clouds lasted 30 minutes before dissolving in the air.

As well as alleviating the doom and gloom of recessions and downturns, the installation aims to show that creative industries have an important role in the economy and should not be neglected during the recession.

A recent report by the National Endowment for Science, Technology and the Arts predicted that creative industries will grow at an average at more than double the rate of the rest of the economy this year.

The artist said: “I know at times like this it’s easy to make creativity a low priority, but I want to show on a very human level that an artistic idea might be able to do something important, even for a fleeting moment.”


A pink smiley-faced cloud floats in front of St Paul's Cathedral


2,057 of these clouds were released in front of Tate Modern by artist Stuart Semple


The smiley faces are made of helium, vegetable dyes and soap bubbles


The installation is called Happy Clouds


The artist explains: "I just wanted to make a piece of work that would cheer people up a bit"


"I've had enough of the doom and gloom in the air and I wanted to show something completely positive


"This was the most straight forward way I could think of to literally contribute something happy to the atmosphere"


"I'm also keen to help people remember that the success of British cultural industries is relatively new, the Tate itself wasn't there a decade ago"


"I know at times like this it's easy to make creativity a low priority..."


"...but I want to show that on a very human level an artistic idea might be able to do something important even for a fleeting moment," he concludes

timesonline.co.uk
telegraph.co.uk
 
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