How China invented football, and other fascinating gems on world's oldest state

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Ahead of his new six-part series which starts on BBC2 on Thursday, The Story of China, in which he looks at the stories, people and landscapes that have helped create China's distinctive character and genius over four thousand years, historian Michael Wood reveals the fascinating gems he discovered whilst filming it....

How China invented football: Historian Michael Wood reveals the fascinating gems he discovered making a new series on the world's oldest state


New show tells tale of the world's oldest and largest state from Bronze Age to today

Chinese invented 'Kick Ball' 2,000 years ago, dribbling a leather ball

The Story Of China starts on Thursday at 9pm on BBC2




By Michael Wood
15 January 2016
Daily Mail

Last year I stayed in a charming B&B in the old walled town of Huizhou in China. Chatting with my host over freshly brewed coffee, she mentioned her daughter had been on holiday in Europe and had made a pilgrimage to London.

'You see, she adores Shirrock,' she said. For a moment I looked blank but then the penny dropped - Sherlock! It's said 98 million Chinese have watched Benedict Cumberbatch online but maybe that shouldn't be such a surprise: after all the Chinese are the biggest tourists in the world now. And as I learned on University Challenge over Christmas, the most common surname at Eton these days is Li!

Endlessly surprising and always unpredictable, China is a constant source of fascination. So it's a great time to look at what has made its civilisation so distinctive, and so brilliant, for so long. Time, too, to ask whether after 300 years of the ascendancy of the West, China - for long periods of history the greatest civilisation on Earth - is simply returning to its rightful place? Those are the questions we set out to answer in The Story Of China, telling the tale of the world's oldest state from the Bronze Age to today.


Michael Wood with Zhao family members at their fortified village, Fujian province, who keep the traditions of their ancestors alive


A Song Dynasty (960-1279) painting of children playing cuju, an early version of football

In a sense it's a sequel to our Story Of India. I have always tried to make these series entertaining and accessible. Challenging as it's been to make this one, both physically and intellectually, the result I hope has something for everyone.

First of all it's about the Chinese people themselves, the real heroes of the story. They're sometimes seen as difficult to get to know, but when I first travelled around China in the 1980s what most struck me was their friendliness and hospitality; their feeling for 'the warmth of home'. I wanted to give a sense of that in the films.

So we start not with archaeology but a family celebration - the Qingming festival, when Chinese families go home to commemorate their ancestors. Our week in Wuxi with the Ching family, when 300 members gathered to remember their ancestor who died in 1049, was a perfect beginning. The highlight was the spine-tingling dawn ritual of 'Tomb Sweeping Day' when everyone took flowers to the ancestral grave and the oldest family member made a report to the dead.

He told them how the family was doing, and how 'your values still live on in us'. This moving scene was followed by a raucous family banquet with special festival hooch to toast family and friends. It was all such fun, but with a serious point behind it. Namely that in China the family comes first - and behind them is always the presence of the ancestors.

We filmed at a Chinese Premier League match to talk about the Chinese invention of 'Kick Ball': 2,000 years ago the Chinese played games where you dribbled a leather ball into a net, but in the Song Dynasty they had clubs, rules, fans, stars and even music at half-time

In the series you will also see China's beauty: landscapes from the Silk Road deserts to the snow-capped Pamir Mountains; from the plains of the Yellow River to the subtropical southern coasts. We travelled on the Grand Canal, the world's longest artificial waterway, which links Beijing with the Yangtze and the Yellow River.

We even stayed at the last Maoist commune, where they refused to go capitalist in the 80s and still sing The East Is Red every morning!

To British audiences China is much less familiar than India, with which we have so many links. Here there are so many dynasties, strange names and an unfamiliar script, so we found it helped to stick to human stories. Of course we told the tales of some of the great emperors: take the merciless first emperor Qin Shi Huangdi who burned all books but his own and had Confucian scholars buried alive, and the founder of the Ming dynasty, Zhu Yuanzhang, a beggar who became one of China's greatest rulers.

But we also met families who have kept their traditions alive, telling us for example how their ancestors made their fortune under the Ming, or how the village was burned down during the Taiping Rebellion, the worst war of the 19th century in which 20 million people died.

The Chinese people were our witnesses, then, and great they were too. There are not many places where you can turn up in a scruffy backstreet and the first people you meet can tell you a tenth-century legend! In one of the most amazing scenes, at a huge temple fair in Henan, a group of women pilgrims told us of the goddess Nu Wa who made the first people out of the yellow mud of the Yellow River - 'and with mud she had left over she made dogs and chickens'.


Michael pictured with dancing ladies by the city wall in Kaifeng


The historian with Korean scholars at the Confucian cemetery in Qufu

And as we travelled we saw that so many continuities in Chinese culture have not been broken, despite the ravages of the 20th century. People pulled out treasured documents, paintings or inscriptions saved from Mao's Red Guards or from even earlier upheavals.

They have never lost their social rituals either, such as the love of eating together (not for nothing is A Bite Of China one of the country's biggest TV hits, just like The Great British Bake Off here). China produced the world's first great cuisine and had the first restaurant culture during the Song Dynasty (960-1279) in Kaifeng. There we took an 11th-century cookbook to a chef who did me a vegetarian version of a recipe lovingly recorded by an ancient Chinese Jamie Oliver.

The Song Dynasty was also the age of Chinese inventions. I had a go in the wheelhouse of a 45ft-high working replica of an 11th-century astronomical clock made by the Song Dynasty's Leonardo da Vinci - Su Song. Steel, gunpowder, the magnetic compass - the list of Chinese inventions is as long as your arm; but some are less well known.


In the series you will also see China's beauty, pictured here tea pickers surrounded by greenery

For example we filmed at a Chinese Premier League match to talk about the Chinese invention of 'Kick Ball': 2,000 years ago the Chinese played games where you dribbled a leather ball into a net, but in the Song Dynasty they had clubs, rules, fans, stars and even music at half-time. In a Confucian society, though, there was no abusing the referee!

But this is also a tale in which the British play a special part. Our first embassy to China went to Beijing in 1793 but the key moment came in 1842 when the Chinese were defeated by the British in the First Opium War.

This resulted in the establishment of Hong Kong as a British territory and Shanghai as a treaty port for foreign trade, and bitter as this was to the Chinese it changed history. Some historians now see the British as a catalyst for modern China, so it was deeply symbolic when President Xi rode with the Queen in a carriage down the Mall last autumn; our destinies intertwined in a way that could never have been foretold two centuries ago. But then history, as the Chinese say, is always a mirror.



The Story Of China starts on Thursday at 9pm on BBC2.


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Blackleaf

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Michael Wood has spent much of the last two years in China filming a BBC series (which started last night) on the nation’s tumultuous history. Here he explores the country’s six great eras to reveal what has made its civilisation so utterly distinctive, and so fascinating, for so long...

The Six Ages of China


Michael Wood has spent much of the last two years in China filming a BBC series on the nation’s tumultuous history. Here he explores the country’s six great eras to reveal what has made its civilisation so utterly distinctive, and so fascinating, for so long...


This article was first published in the December 2015 issue of BBC History Magazine



Michael Wood
Thursday 21st January 2016
BBC History Magazine



New superpower: China is the world's oldest and largest nation and is set to dominate the world in the 21st Century



1) The rise of the Middle Land

A Qin strongman unites China’s warring states (c3000–221 BC)


The Chinese name for their country - Zhongguo, the Middle Land - written in Chinese


The Chinese call their country Zhongguo, the Middle Land. Originally that meant the Yellow River plain, and our journey – filming my forthcoming series on Chinese history – began there at a Henan temple fair with a million people celebrating Nu Wa, the prehistoric mother goddess who made the Chinese people out of the yellow mud. “We are all brothers and sisters,” one pilgrim told us, echoing DNA discoveries that claim that over a third of all Han Chinese (90% of the huge Chinese population) males share just three ancestors only 5,000 years ago (if so, they really are the world’s biggest tribe!)

We also visited the great archaeological discoveries at Erlitou and Anyang, capital of the first great dynasty, the Shang (c1575–1046 BC) with whom many of the great themes of Chinese culture emerge – along with the script still used today. In 1046 BC, the Shang fell to the Zhou, who laid down the idea of the Mandate of Heaven, a conception of moral rulership codified by Confucius in the sixth century BC. But China was still divided into many small states – it could have ended up like Europe but for the ruthless Qin (pronounced "chin", from where China gets its English name) emperor Qin Shi Huang, who in 221 BC created China’s first centralised bureaucratic state by force. That tension between the humanistic and the autocratic is one of the burdens of China’s history.

So our big themes emerge: writing and ritual as sources of power; the Mandate of Heaven; and the importance of family and reverence for ancestors, seen in a moving scene with the Ching family of Wuxi on Tomb Sweeping Day, a festival in which millions offer prayers to their forebears. “Our family goes back a thousand years,” said one old man, “and huge changes have happened to us. Now everybody is asking: what are our roots?” Today everyone in China is asking the same question.


An owl-shaped wine vessel from the late Shang period, c1200 BC. © AKG

2) The Tang

When China opened its arms to the world (AD 618-907)


The Buddhist monk Xuanzang travels with a tiger along the Silk Road in an image from the ninth century. © Bridgeman


Ask Chinese people their favourite period and most will say the Tang: an age of political, cultural and commercial greatness, when China went out to the world along the Silk Roads. It also welcomed foreigners, and their ideas and religions – including Christianity. (Just imagine a Daoist mission being received in Dark Age Winchester!)

To really open up to another civilisation requires humility, curiosity and breadth of spirit, and the Chinese had that confidence in the Tang. Another great theme is a new reflective spirit in literature. This was the time of China’s best-loved poets, as we saw in a school near Luoyang when effervescent kids took us through a poem by the eighth-century writer Du Fu about the tragedies of his time.

3) The Song Renaissance

A golden age of restaurants, football, printing and the Chinese Leonardo (960–1279)

If I could go back to one time and place it would be the world depicted on the great Kaifeng Qingming Scroll from the 1120s. Don’t think of Chinese history as immemorial stability. The opposite is true: it is cycles of destruction and creation. After the fall of the Tang, China fragmented into 16 dynasties in five decades before the glories of the Song.

Song Kaifeng was perhaps the greatest city in the world before the 19th century. It’s not on the main tourist routes but it’s been one of my favourite places since I first went in the 80s. In the alleys are Daoist and Buddhist temples, Christian churches, and women-only mosques; not to mention the last Chinese Jewish community. It had the world’s first great restaurant culture (we shot a Chinese baking competition there with a Song cookbook). They even had football, with clubs, rulebooks, fans – and music.

Long before the Renaissance in the west they had printing, paper money, coke smelting, gunpowder, the magnetic compass, water-driven spinning machines, the endless chain drive mechanism, and the famous astronomical clock built by Su Sung, the Chinese Leonardo.

That’s what makes the Song so exciting, from their debates about good governance to their ideas about the good life, and from their arts to their staggering advances in science.

So why didn’t China become the first modern civilisation, before the west? Foreign invasion played a big part. The fall of Kaifeng to northern barbarians in 1127 was a huge blow. Then the Mongols overthrew the Southern Song in the 1270s, at around the time when Marco Polo described the wonders of Hangzhou. The experience of defeat would haunt them.


Shopping in the Song capital Kaifeng in a detail from the Qingming scroll, painted around 1120. In the foreground is a pawn shop. © Bridgeman

4) The Ming

The dynasty that gave us the Forbidden City and Great Wall (1368–1644)


The Forbidden City, Beijing, home to Chinese emperors

The Forbidden City, the Great Wall, fabulous ceramics: the Ming is how we see historic China. The Ming came out of the shock of Mongol occupation and the civil wars of the 1350s. The founder, Zhu Yuanzhang, was born a peasant, lived as a penniless beggar and wandering monk, but became one of China’s greatest rulers.

It’s a tale of three cities: first Zhu’s splendid capital, Nanjing; then Beijing, the new capital of the usurper Yongle who built the Forbidden City. Yongle wanted to show China to the world and sent the admiral Zheng He to east Africa and the Persian Gulf in giant ships (we filmed the construction of a spectacular full-sized replica in Nanjing).

The third city is Suzhou, the Chinese counterpart to Renaissance Florence, where a rising urban middle class demanded fashion, gardens, theatre and novels. To coin a phrase, if you were tired of Suzhou you were tired of life! But in 1644 the declining and over centralised Ming state fell to the Manchus, China’s last dynasty.


Animals adorn a Ming dynasty jar from Jingdezhen in Jiangxi Province. © Bridgeman


5) The Great Qing

From world’s greatest empire to “crazy old man of war” (1644–1911)

The Qing dynasty is often seen as a time of decline, but in many ways the 18th century was a brilliant epoch. After the horrors of their conquest, the Manchus restored order, setting out to be more Chinese than the Chinese. Three great emperors reigned between 1661 and 1820; and the first, Kangxi, was one of the greatest in Chinese history. The Qing took control of Xinjiang, Mongolia and Tibet, doubling the size of the empire.

China then was still the greatest and most populous empire on Earth, and by far the biggest market. New wave Qing historians talk now of a diversified economy, and even aspects of what we might call civil society: guilds, cultural clubs, banks, charities, newspapers, even ‘public opinion’ – all features of Enlightenment states in Europe. It was a time of great cultural projects.

Far from the capital, the city of Yangzhou was a centre of printing, painting, novels and theatre; there Kangxi sponsored the printing of the Complete Tang poems (over 48,000 of them!) And then there’s the ‘novel of the millennium’, The Dream of the Red Chamber, an 18th‑century family saga – magical realism long before Marquez or Rushdie. One autumn day in a bar by Beijing’s North Lake a young electro musician with henna’d hair spoke of China’s best-loved book with a smile: “It’s really about the eternal verities: love – and freedom!”

Into this world in 1793 came the British. Ambassador Macartney summed up his hosts with breezy self-assurance and a nautical metaphor: “The Chinese empire,” he said was “a crazy old man of war… which may drift for a while yet, but can never be rebuilt on the same bottom.” China was about to be overtaken.


A portrait of Kangxi, “one of the greatest emperors in Chinese history”. He was the second Qing ruler of China, from 1661 to 1722. © Alamy


6) Modern China

Jaw-dropping cruelty and success (1911–2015)

In the mid-19th century, China was shaken by a cataclysmic war, the Taiping Rebellion, in which 20 million died. We followed the story into the villages of Thistle Mountain in Guangxi where it all began. The Qing won, but at a price. The imperial system was now in crisis. New ideas flooded in, from naval technology and railways to democracy, feminism and socialism.

Terminally rocked by the Boxer rising (partly motivated by opposition to foreign interference), the empire fell in 1911 and China became a republic. It was on the winning side in the First World War, but the gross injustice of Versailles sparked new upheavals. Was the way forward western or Chinese? A reformed Confucianism, liberal democracy, or Marxist-Leninism?

That the communists won out was really an accident of history: it was the Japanese invasion that turned them into a liberation movement. But the stark truth is that all the 20th century’s Marxist-Leninist states were tyrannies, and Mao’s regime was no exception.

Recently historians have exposed the disasters of Maoism, especially the Great Famine in which tens of millions died, the largest man-made catastrophe in Chinese history. Yet the party held on to power, and though moves to political reform were put on hold after 1989, its economic achievements since have been jaw-dropping.

Modern China faces great challenges – not just economic, but social and political: the rule of law; the representation of the people; the safety of the food chain; the despoiled environment. But the Chinese have been through many ups and downs, and possess incredibly rich resources in culture and civilisation going back millennia. And as always, in the end, the Mandate of Heaven is theirs to bestow.


Communist leader Mao Zedong waves to a rally celebrating China’s Cultural Revolution, Beijing, 1966. © Corbis



Michael Wood is professor of public history at the University of Manchester. He has recorded over 100 documentary films on history.

Wood's six-part series The Story of China airs on BBC Two on Thursday 21 January at 9pm. To find out more, click here.


The Six Ages of China | History Extra




The most popular spectator sport in China is football - or "soccer", as you lot call it.
 
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Blackleaf

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When they are half the size of their opponents they sure as sh-t won't be playing hockey huh?


That's racist. You don't see me going round making stereotypical comments about those yellow, slitty-eyed, prawn cracker munchers.
 

Blackleaf

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The Story of China

Episode 1
(of 6)

"Ancestors"



Michael Wood explores the history of the world’s newest superpower, from its ancient past to the present day. Starting in Wuxi, Michael joins the Qin family reunion, when 300 relatives gather to worship their ancestors on Tomb Sweeping Day. ‘Like the nation, the family has been through so much,’ one says. ‘Now everyone wants to know – what are our roots?’


To answer that question, Michael journeys to the plain of the Yellow River, where he joins a million pilgrims at the shrine of ancient goddess Nüwa, who legend says made the first people from the yellow mud of the Yellow River.

Looking for the origins of the Chinese state, he visits the excavations at Erlitou and sees an exquisite turquoise dragon sceptre from 2000 BC. China's first writing is found on 'oracle bones' dug up from the Shang royal tombs at Anyang in the 1920s. At the Beijing Planetarium, Michael travels back in time as astronomers plot the planetary conjunction that the ancients believed foretold the overthrow of the Shang Dynasty.

Next, the Age of Philosophers and Confucius, whose book Analects has had greater influence worldwide than even the Bible, according to some. In Xi'an, we hear how the First Emperor united China and created the authoritarian Qin state that gave us the word China.

Finally, Michael returns to the temple fair in Henan for a dramatic night ceremony to give thanks to the ancestors. China, Michael concludes, is rising again, not just because of its economic strength, but because of the incredible solidarity of the Han Chinese view of their own civilisation, their sense of family and, of course, the presence of the ancestors.

Watch it here: The Story Of China Season 1 Episode 1 Ancestors HDTV - Video Dailymotion



Episode 2

"Silk Roads and China Ships
"



Michael Wood tells the tale of China's first great international age under the Tang Dynasty (618-907). From the picturesque old city of Luoyang, he travels along the Silk Road to the bazaars of central Asia and into India on the track of the Chinese monk who brought Buddhism back to China. This tale is still loved by the Chinese today and is brought to life by storytellers, films and shadow puppet plays.

Then in the backstreets and markets of Xi'an, Michael meets descendants of the traders from central Asia and Persia who came into China on the Silk Road. He talks to Chinese Muslims in the Great Mosque and across town hears the amazing story of the first reception of Christianity in 635.

Moving south, Michael sees the beginnings of China as an economic giant. On the Grand Canal, a lock built in 605 still handles 800 barges every day! The film tracks the rise of the silk industry and the world's favourite drink - tea.

Michael looks too at the spread of Chinese script, language and culture across east Asia. 'China's influence on the East was as profound as Rome on the Latin West', he says, 'and still is today'.

Finally, the film tells the intense drama of the fall of the Tang. Among the eyewitnesses were China's greatest poets. In a secondary school in a dusty village, where the Chinese Shakespeare - Du Fu - is buried in the grounds, the pupils take Michael through one famous poem about loss and longing as the dynasty falls. And in that ordinary classroom, there is a sense of the amazing drama and the deep-rooted continuities of Chinese culture.


Watch it here: The Story Of China S01E02 The Silk Road and the big ships - Video Dailymotion


Episode 3


"The Golden Age"



This episode tells the tale of what's broadly considered China's most creative dynasty - the Song (960-1279). Michael Wood heads to the city of Kaifeng, the greatest city in the world before the 19th century.

Here in Twin Dragon Alley, locals tell him the legend of the baby boys who became emperors. He explores the ideas and inventions that made the Song one of greatest eras in world culture, helped by China's most famous work of art, the Kaifeng scroll, which shows the life of the city in around 1120. A chef makes Michael a recipe from a Song cookbook, while a guide to 'how to live happy, healthy lives for old people', published in 1085 and still in print, is discussed with local women doing their morning exercises. The Song was also a great era for scientific advance in China. Michael steers a huge working replica of an astronomical clock, made by China's Leonardo da Vinci. Then at a crunch Chinese Premier League match, Michael tells us the Chinese invented football!

The golden age of the northern Song ended in 1127, when invaders sacked Kaifeng, but they survived in the south. At their new capital, Hangzhou, Wood joins locals dancing by the West Lake, while in the countryside he meets Mr Xie with his records of 40 generations of ancestors.

The final defeat of the Song took place in a naval battle in the estuary of the Pearl River in 1279. When all was lost, rather than surrender to the Mongols, a loyal minister jumped into the sea with the young boy emperor in his arms. 'So ended the glory of the Song', Wood concludes, 'but a new age would arise... as in China, it always has!'.

Watch it here: The Story Of China S01E03 The Golden Age - Video Dailymotion


Episode 4

"The Ming"



The tale of one of China's most famous dynasties begins with the amazing story of Hongwu, a peasant rebel who founded one of the greatest eras in Chinese history.

The film takes us to his great capital Nanjing, with its 21 miles of walls, each brick stamped with the name of the village that made it. Following the trail, we go to the Bao family village and see the villagers act a Ming murder story. Like many authoritarian states, the Ming were obsessive about architecture. We see the giant fortifications of the Great Wall, the ritual enclaves of the Forbidden City in Beijing and travel with bargeman Mr Hu down the Grand Canal, China's great artery of commerce right up to the present day. We then hear about Admiral Zheng He's voyages to Africa and the Gulf decades before Columbus, watch the construction of an ocean-going wooden boat 250ft long, and hitch a ride on a replica Ming junk in the South China Sea.

As state prosperity grew, so did a rising middle class. Wood looks at Ming culture in Suzhou, the 'Venice of China'. Staying in a merchant's house, he discovers the silk, ceramic and lacquer-making industries, and visits one of the most beautiful gardens in the city. Then on to Macao and the arrival of Jesuit missionary Matteo Ricci, who hoped to convert China to Christianity. In the cathedral in Beijing, we learn more about these fateful exchanges with the west. Finally in Shaoxing, we visit the house of the 'Ming Proust' and at grassroots the Zhao family in Fujian where the film ends in an elegiac mood with the fall of the Ming in 1644.

Watch it here: The Story of China S01E04 The Ming - Video Dailymotion
 
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